Lessons The sweeping Sunday Times bestseller from the author of What We Can Know

Eleven-year-old Roland Baines’ life changes dramatically when his Africa based parents decide to send him back to England to attend a boarding school and get the classic education. While the political landscape forms itself after the Second World War, the boy takes piano lessons with Miss Cornell who will shape not only his idea of music, she will become his first love. Incidentally or initiated by fate, Roland’s life will remain closely connected to global events, be it the cloud coming from Chernobyl, the beginning and end of the Cold War, or major crises such as AIDS and the pandemic. As we travel through his life, he has to learn some lessons, some taken light-heartedly, others a lot harder and leaving scars. I have been a huge fan of Ian McEwan’s novel for years and accordingly, I was keen to open his latest novel “Lessons”. What I have always appreciate most in his books is his carefully crafted characters who – hit by events outside their control – need to cope and to adjust. He is a wonderful narrator who easily makes you sink into the plot and forget everything around you. Even though “Lessons” does not focus that much on a single question as in “The Children Act” or “Saturday” and was much longer than most of his former writings, I hugely enjoyed how his protagonist’s character unfolds in front of us and becomes who he is when his life closes. The novel has been announced as “a chronicle of out times” and admittedly, that’s just what it is. By the example of Roland, he illustrates the last six decades, he chronicles British and European politics, arts, music and mind-set. Roland’s process of learning does not stop, life is a continuous process of trial and error, of mistakes and good decisions which all leave their mark. Interestingly, the protagonist is a rather passive character. He only ever reacts to what happens, his piano teacher’s advances, his wife’s running away, his career: Roland does not actively shape his life, it is the first and foremost the women he encounters who make him move and – even though they all remain minor characters – it’s them who bring the verve and dynamics into the action. I can imagine that some readers will find the novel a bit slow and lacking focus, yet, I totally adored it and enjoyed every minute of the read.

So viel Zeit mit einem Charakter zu verbringen, gibt mir immer das Gefühl, ihn persönlich zu kennen. Und es war wirklich schwer, ihn altern zu sehen. Besonders Roland als Opa am Ende des Buches zu erleben, nachdem ich ihn als Kind kennengelernt hatte, hat mich sehr sentimental gestimmt und mich an meine eigenen Großeltern und ihre Geschichten erinnert. Ich vermisse Roland als Charakter schon jetzt. Obwohl ich es genossen habe, durch verschiedene Zeitperioden und Generationen zu reisen und all die Geschichten der Charaktere mitzuerleben, war das Buch etwas lang. Und hat sich leider teilweise etwas gezogen. Trotzdem kann ich dieses Buch weiterempfehlen an Leser*innen, die biographische Romane und coming-of-age Geschichten mögen :)