Women Experimenting in Theatre Early Modern to Contemporary

Kate Aughterson
has written widely on women’s writing and early modern drama, including, editing
The Luckey Chance
(2021);
Renaissance Woman
(1995),
The English Renaissance: An Anthology
(1998);
John Webster: The Plays
(2000),
Aphra Behn: The Comedies
(2003),
Shakespeare: The Late Plays
(2013), with Katy Shaw, 
Jim Crace: Into the Wilderness
(2017); with Ailsa Grant Ferguson, 
Shakespeare and Gender
(2020) and with Deborah Philips,
Women and Experimental Fiction: Early Modern to Contemporary
; with Jess Moriarty, S
ocially Engaged Creative Practice
(2024) and
Performing Maternities
(2024).

Deborah Philips
has written extensively on women's writing and cultural history. Her books include:
And This is My Friend Sandy: Sandy Wilson's The Boy Friend, London Theatre and Gay Culture
(2021),
Fairground Attractions
(2012),
Writing Romance: Women's Fiction
(2006/2014),
The Trojan Horse
(2013) with Garry Whannel and
Brave New Causes
(1998) with Ian Haywood. She is the co-editor, with Kate Aughterson of
Women Writers and Experimental Narratives: Early Modern to Contemporary
(Palgrave Macmillan, 2021).