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Produktbild: Uncanny Archaeologies
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Uncanny Archaeologies Unearthing Ancient Horrors in Film, Media, Literature and Culture

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.03.2027

Abbildungen

30 bw illus

Herausgeber

Gabriel Moshenska + weitere

Verlag

Bloomsbury Publishing

Seitenzahl

272

Maße (L/B/H)

23,4/15,6/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-60278-6

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.03.2027

Abbildungen

30 bw illus

Herausgeber

Verlag

Bloomsbury Publishing

Seitenzahl

272

Maße (L/B/H)

23,4/15,6/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-60278-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Uncanny Archaeologies
  • Foreword
    Steve Toase

    Introduction

    0. Introduction: ancient horrors and archaeological receptions
    Gabriel Moshenska, UCL, UK

    Conceptualising archaeological horror

    1. Vicarious Ethnicity and Transgressive Knowledge in Arthur Conan Doyle's 'Lot No. 249' and H.P Lovecraft's 'The Horror at Red Hook'
    Daniel Renshaw, University of Reading, UK
    2. 'Why have you awakened us from our ancient slumber?' Archaeological objects and body horror
    Jessica O'Neill
    3. Antiquaries, ontographers, and uncanny objects in two ghost stories by M.R. James
    Tom Sparrow, Slippery Rock University, USA
    4. Becoming-ruin and the apocalyptic sublime in P.B. Shelley's The Daemon of the World and 'The Coliseum'
    Mia X. Pérez, The Graduate Center, CUNY, USA

    Notable authors and creators

    5. Barrow-born: archaeological practice as a literary device to evoke horror in the works of Nigel Kneale
    Kenneth Brophy, University of Glasgow, UK and Katy Soar, University of Winchester, UK
    6. Cosmic horror and archaeology: Lovecraftian monsters and encounters with alien pasts
    Vesa-Pekka Herva, University of Oulu, Finland and Antti Lahelma, University of Helsinki, Finland
    7. Prehistoric Britain and Ancient Egypt in E.F. Benson's 'spook stories'
    Gabriel Moshenska, UCL, UK
    8. From the further side of experience: ancient Egypt and the numinous in the work of Algernon Blackwood
    Lawrence Webb, University of Southampton, UK

    Mediating archaeological horror

    9. 'Inspired by a true story': uncanny and eerie archaeology behind the horror of AMC's The Terror.
    Stephanie Halmhofer, University of Alberta, Canada and Solène Mallet Gauthier, University of Alberta, Canada
    10. Buried in darkness: Black Metal's archaeology of horror
    João Sequeira, University of Coimbra, Portugal and Tânia Casimiro, University of Stirling, UK
    11. The archaeologist dies at the end: contrasting real and imagined North American archaeology
    Solène Mallet Gauthier, University of Alberta, Canada
    12. The playful skeleton: human remains beyond horror in video games
    Heidi Barten, Angus A. A. Mol, Leiden University, Netherlands and Aris Politopoulos, Leiden University, Netherlands

    Spooky sites and uncanny landscapes

    13. The 'Curse' of Pompeii
    Christine Downton, University of Leicester, UK
    14. When archaeological sites become horror: the narrative of Gunung Padang in the Indonesian film 'Gerbang Neraka'
    Hasrianti, National Research and Innovation Agency (BRIN), Indonesia
    Laila Abdul Jalil, National Research and Innovation Agency (BRIN), Indonesia
    Syahruddin Mansyur, National Research and Innovation Agency (BRIN), Indonesia
    and Lutfi Yondri, National Research and Innovation Agency (BRIN), Indonesia
    15. Occult archaeology, eerie landscapes, and folk encounters with the Ancient in the Aegean Islands
    Stelios Lekakis, Newcastle University, UK