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Adel Emam whom we do not know
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Sprache:Arabisch
6,49 €
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Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
27.05.2026
Verlag
¿¿¿¿ ¿¿¿¿¿ ¿¿¿¿¿¿¿¿Seitenzahl
368 (Printausgabe)
Dateigröße
115398 KB
Sprache
Arabisch
EAN
9786471683317
"A reflective text on the hidden side of the legend of laughter and fire.
In this book, Adel Imam's biography is not narrated as the public knew it, but rather features from within are revealed, from angles beyond the reach of cameras and beyond the reach of press conversations. The writer chooses to stand in front of the mirror in the star's room in the twilight of his life, listening to the silence that surrounds him and to a conscience that refuses to be silenced.
Time as an internal judge: The writer does not attack the star, but rather leaves him to the court of conscience, at a time when he can no longer laugh as he once did, or escape as he once did.
The other side of fame: When the lights go out and the applause dies down, the person returns, weak and confused, faced with a past that imposes itself forcefully, asking: ""What have I done? What have I given? What have I lost?""
A narrative tone close to literature: The text blends reflective autobiography and psychological writing, with a style that leans toward nostalgia and philosophy, inspired by Ahlam Mosteghanemi's line: ""Oh past... what have you done to us, oh past?""
Adel Emam here is not the leader, but rather the man who has come face to face with the mirror of life, questioning his choices, and paying the price of light when it becomes inner darkness."
In this book, Adel Imam's biography is not narrated as the public knew it, but rather features from within are revealed, from angles beyond the reach of cameras and beyond the reach of press conversations. The writer chooses to stand in front of the mirror in the star's room in the twilight of his life, listening to the silence that surrounds him and to a conscience that refuses to be silenced.
Time as an internal judge: The writer does not attack the star, but rather leaves him to the court of conscience, at a time when he can no longer laugh as he once did, or escape as he once did.
The other side of fame: When the lights go out and the applause dies down, the person returns, weak and confused, faced with a past that imposes itself forcefully, asking: ""What have I done? What have I given? What have I lost?""
A narrative tone close to literature: The text blends reflective autobiography and psychological writing, with a style that leans toward nostalgia and philosophy, inspired by Ahlam Mosteghanemi's line: ""Oh past... what have you done to us, oh past?""
Adel Emam here is not the leader, but rather the man who has come face to face with the mirror of life, questioning his choices, and paying the price of light when it becomes inner darkness."
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