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Produktbild: The Routledge Companion to Global Horror
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The Routledge Companion to Global Horror

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Beschreibung

The Routledge Companion to Global Horror is a mapping of an emergent Global Horror Studies developing across media forms of literature, film, TV, radio, podcasting, video gaming and other forms of culture. In 53 chapters and 25 'snapshot' mini-essays, the Companion has commissioned leading scholars...

Beschreibung

The Routledge Companion to Global Horror is a mapping of an emergent Global Horror Studies developing across media forms of literature, film, TV, radio, podcasting, video gaming and other forms of culture. In 53 chapters and 25 'snapshot' mini-essays, the Companion has commissioned leading scholars from Sweden to New Zealand, from China, North and South America, the UK and Europe, to cover what is now a global network of horror. The book offers specialist sections on literature, film, TV and transmedia horror as well as sections with chapters on established and emergent theoretical frames and the cultural and intersectional politics of horror. Uniquely, it builds both a history of the rise of 'horror' in distinct forms and a new mapping of a constantly evolving global genre, now produced across a network of transnational sources, each with their own distinct version of horror. This volume will allow readers to think in an inherently transnational, comparative mode of critical apprehension of the genre, decentering narrow national formulations of horror for a wider, interdisciplinary conception of horror.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

23.12.2026

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Herausgeber Stacey Abbott + weitere

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

23.12.2026

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Herausgeber
Verlag Taylor & Francis
Seitenzahl

596

Maße (L/B)

25,4/17,8 cm

Sprache

Englisch

ISBN

978-1-03-212134-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Companion to Global Horror
  • Introduction: Shaping Global Horror Studies
    Stacey Abbott, Adam Lowenstein, Roger Luckhurst and Kristopher Woofter

    PART ONE: Transnational Histories and Transmedial Forms

    Literature

    1 Prehistory: Tragedy and Horror
    Edmund P. Cueva

    2 Terror and Horror in the Long Eighteenth Century
    Sam Hirst

    3 Horror 'from Germany': Circuits of Translation Between Britain, Germany, France, and the US Around 1800
    Barry Murnane

    4 Horror and the Small Presses
    James Machin

    5 The Ghost Story as Transcultural Trope
    Jen Baker

    6 Vectors of Terror: Concepts of Horror in the Pulp Magazines, 1896-1953
    Jess Nevins

    7 Paperback Writer: Stephen King and the Horror Paperback Boom
    Carl H. Sederholm

    8 Discovering a Tradition of African American Horror Poetry in the United States
    Linda D. Addison

    Horror Cinema

    9 Horror in Silent Cinema Across the Globe
    Kendall R. Phillips

    10 Phantom Powered: Hollywood Horror and the Early Talkie, 1927-1930
    Gary D. Rhodes

    11 Global Horror in the Studio Era, 1930-1970
    Kieran Foster

    12 Fearsome Families: Horror Cinema, 1968-1979
    Jason Middleton

    13 The Slasher as an International Subgenre
    Wickham Clayton

    14 Millennial Nightmares: Horror in the Twenty-First Century
    Aviva Briefel

    15 Horror Stars and Performance
    Ian Olney

    16 The Ecosystem of Women in Horror Film Festivals and Women-Made Short Films
    Claire Henry

    TV Horror

    17 Sight, Sound, Mind: The Horror Anthology's Influence on US Television
    Erin Giannini

    18 TV Movie/Monster-of-the-Week
    Clayton Dillard

    19 Monsters, Murder, and Melodrama, the Rise of Korean Horror Television
    Katarzyna Ancuta

    20 Y¿kai of Yesteryear: Japan's Early TV Horror and Y¿kai Ningen Bem (1968)
    Selma A. Purac

    21 Prestige TV Horror
    Godze Erdogan

    22 Ghostly Visitors and Haunting Returns: Twin Peaks, Riget, and Art-Horror TV
    Andreas Halskov

    23 Trash TV Horror
    James Rendell and Andrew Rayment

    24 Children's Television Horror: Safety and Danger in a Global Tradition
    Catherine Lester

    Transmedial Horror

    25 Theatre and Horror: Contemporary Paranormal Theatre in Britain: Liveness and Haunting
    Rebecca Janicker

    26 Music and Horror
    Steve Halfyard

    27 Radio Horror
    Richard J. Hand

    28 Horror Podcasting: True Crime and Horror
    Stella Marie Gaynor

    29 Fine Art and Body Horror: The Body in Fragments in Duchamp's Nude Descending a Staircase No. 2 and Brandon Cronenberg's Infinity Pool
    Marcus Prasad

    30 Horror and Comics: Splatter in Black and White: Independent Horror Comics of the Late 1980s and Early 1990s
    Johnny Walker

    31 Microhorror and the Genealogy of the Video Game Genre
    Jean-Charles Ray and Bernard Perron

    32 The (New) Medium is the Monster: Networked Digital Horror
    Joe Ondrak

    33 Strange Folk and Weird Rituals: Folk Horror as Transnational and Transmedia Trope
    Nina K. Martin

    34 Preserving Horror: The Horror Studies Collection at the University of Pittsburgh Library System
    Benjamin T. Rubin

    PART TWO: The Seven Continents of Horror

    35 Snapshots From Around the World
    Introduction
    Stacey Abbott, Adam Lowenstein, Roger Luckhurst amd Kristopher Woofter

    Snapshot 1: Nordic Horror
    Christer Bakke Andresen

    Snapshot 2: Nollywood Horrors: Witchery and Religiosity in African Cinema
    Saheed Adesumbo Bello

    Snapshot 3: Turkish Horror: The (Nation) State of the Hybrid
    Tugce Bicakci-Syed

    Snapshot 4: Local Frights and Universal Themes in Kourosh Ahari's The Night
    Max Bledstein

    Snapshot 5: New Cartographies for Horror in When Evil Lurks (Demián Rugna 2023)
    María Belén Caparrós

    Snapshot 6: Everyday Gothic in the Global South
    Manuela Coppola and Kartik Nair

    Snapshot 7: Whispers from the Horn: Ethiopian Supernatural Literature as a Gap in 'African Horror'
    Dawit Dibekulu Alem

    Snapshot 8: Egypt: Hyphen-Horror Picture Shows
    Roxanne Douglas

    Snapshot 9: Hyperlocal EcoGothic: E. F. Benson's 'The Man Who Went Too Far'
    Michael Dunn

    Snapshot 10: The Tropical Gothic of Cali in Colombia: An Introduction
    Giovanni Festa

    Snapshot 11: From Israel with Fright
    Olga Gershenson

    Snapshot 12: Antarctic Horror
    Rune Grauland

    Snapshot 13: Making Heart Eyes at Aotearoa
    Erin Harrington

    Snapshot 14: South African Horror(s): Four Theses: An Overview of Rebirth
    Mélanie Joseph-Vilain

    Snapshot 15: I Must Fear-Fear is the Life-Saver
    Sami Ahmad Khan

    Snapshot 16: Ukrainian Horror: Identity Games
    Serhii Ksaverov

    Snapshot 17: Transnational Mutations of the Feline Other: Horror Philosophy in The Black Cat and Legend of the Demon Cat
    Fang Liu

    Snapshot 18: Hands Off My Wendigo!
    Jenni Makahnouk

    Snapshot 19: The Reluctant Traveller: South African Homebody-Horror Cinema and Global Circulation
    Alan Muller

    Snapshot 20: Arctic Horror Cinema
    Lorna Piatti-Farnell

    Snapshot 21: Hardly a Vampire in Sight? On the Dearth of Vampire Horror Films in Croatia and Yugoslavia
    Antonija Primorac

    Snapshot 22: The Returned: A Borderland Horror
    Eduardo A. Russo

    Snapshot 23: Horror and World-Systems Theory
    Stephen Shapiro

    Snapshot 24: Slavery and Global Horror
    Mark Storey

    Snapshot 25: Horror-Worlds: Impure Hells and the Cosmopolitics of the Confines in Latin American Women's Horror Fiction
    Alejandra Bottinelli Wolleter

    PART THREE: Theory

    Conceptual Frames

    36 Horror and Adaptation
    Simon Brown

    37 Cultural Approaches to Horror Studies
    Craig Ian Mann

    38 Horror Cinema and Trauma
    Xavier Aldana Reyes

    39 Supernatural or Super Unnatural? An Examination of Postcolonial Horror
    Shiv Ramdas

    40 Horror and World Cinema
    Rosalind Galt

    41 Horror and Religion
    Per Faxneld and Aren Roukema

    42 Horror and Philosophy
    Patricia MacCormack

    43 Losing Consciousness: Medical Humanities and Horror Studies
    Gordon David Lyle Bates

    44 Eco-Horror: Weird(ed) World
    Kristopher Woofter

    Intersections of Identity

    45 Class and Horror
    Mark Bould

    46 No Gods, No Masters: Resistance in Contemporary Argentine Horror Films by Women
    Valeria Villegas Lindvall

    47 Race and Horror: Recovering Evelda: The Africanist Presence in Hannibal (2001)
    Mikal J. Gaines

    48 Sex in Horror Film
    Steve Jones

    49 Children's Horror and Queer Self-Fashioning
    Brian Johnson

    50 Critical Disability Studies and Horror Cinema
    Angela Marie Smith

    51 Whiteness and Horror
    Roger Luckhurst

    52 Psycho as the Jewish Mother of Modern Horror
    Adam Lowenstein

    53 Analysing Indigenous Horror: Some Thoughts and Approaches
    Kali Simmons

    54 Feminist and Post-Feminist Horror and Theory; Or, Horror Academy 4: Final Students
    Ann Young