Produktbild: Contesting Hindu Representations in Media and Popular Culture
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Contesting Hindu Representations in Media and Popular Culture From Cinema and Comedy to Social Media and Sacred Art

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.07.2026

Abbildungen

XIV, 235 p. 11 illus., 8 illus. in color.

Herausgeber

Ramesh Rao + weitere

Verlag

Springer Singapore

Seitenzahl

235

Maße (L/B)

23,5/15,5 cm

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-981-9201-03-7

Beschreibung

Portrait

Nidhi Shendurnikar has a doctoral degree in Political Science from The Maharaja Sayajirao University of Baroda, Gujarat. She has a decade of teaching and research experience in media and communication studies, having supervised over sixty postgraduate theses/dissertations. She has been a fellow of the University Grants Commission (UGC), Government of India, for her doctoral work on ‘Conflict Mediation between India and Pakistan and Media’s Role’ from 2011-2015. She has worked on research projects with institutions like the National Commission for Women (NCW), Tata Institute of Social Sciences, Center for the Study of Developing Societies, University of Wisconsin-Madison, Anaadi Foundation, and others. As an academic, she has taught modules on Communication Research, Social Science Research Design and Methods, Qualitative Data Analysis and Interpretation, Research Writing, New Media, Gender Studies, Political Communication, and Indian Knowledge Systems to undergraduate and postgraduate students.

Ramesh Rao , who earned his PhD from Michigan State University, has taught in the US since 1987, across four states – Michigan, Missouri, Virginia, and Georgia. Over the course of forty years, he has taught more than two dozen communication courses, ranging from public speaking to interpersonal communication, and from media literacy to communication theory. He is, at present, a professor in the Department of Strategic Communication, Media and Film, at Columbus State University in Columbus, Georgia. He is the author/co-author of more than half a dozen books, ranging from intercultural communication and Indian communication theory to Indian politics and society. He has authored more than one hundred opinion pieces that have been published across Indian, American, and British newspapers and magazines. In his spare time, he enjoys reading both fiction and non-fiction, watching tennis and golf, and listening to Carnatic music. 

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.07.2026

Abbildungen

XIV, 235 p. 11 illus., 8 illus. in color.

Herausgeber

Verlag

Springer Singapore

Seitenzahl

235

Maße (L/B)

23,5/15,5 cm

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-981-9201-03-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Contesting Hindu Representations in Media and Popular Culture
  • Chapter 1: Representation of Religion in Popular Culture: Hindus and Hinduism in Indian Stand-up Comedy.- Chapter 2: Maharaj: The Libel and the Cinema: A Case Study in the Oriental Impact on Hindu Culture.- Chapter 3: Hinduphobia or Legitimate Critique: Portrayal of Hindus in Bollywood and Tamil Cinema.- Chapter 4: Padmaavat (2018): History, Myth and the Politics of Neo-Colonial Discourse.- Chapter 5: Portrayal of Tantra in Mass Media and Popular Culture: A Critical Analysis and Response.- Chapter 6: Misrepresentation of Hindu Rituals in ‘The Great Indian Kitchen’: A Critical Case Study of Cultural Distortion in Malayalam Cinema.- Chapter 7: Decolonizing Social Media Narratives: Investigating biases in Western Media's representation of Hinduism and Indian civilizational events.- Chapter 8: Western media’s portrayal of Hindu women’s issues in India.- Chapter 9: Artlessness in Art: Reductionist and Negative Portrayals in the Pursuit of Politics.- Chapter 10: Western Mainstream Media: Tropes and Stereotypes about Hindus and Indians.- Chapter 11: Portrayal of Hinduism in Western General Reference Sources.- Chapter 12: The Reality of Hinduphobia in the Twenty-First Century.