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Produktbild: The Routledge Handbook to the Popular Music Cover Song

The Routledge Handbook to the Popular Music Cover Song Vivid Versions and Musical Subjectivities

Aus der Reihe Routledge Music Handbooks

407,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.07.2026

Abbildungen

Raster,schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Mike Alleyne + weitere

Verlag

Taylor and Francis

Seitenzahl

420

Maße (L/B/H)

25,4/17,8/2,5 cm

Gewicht

980 g

Sprache

Englisch

ISBN

978-1-03-278948-4

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

19.07.2026

Abbildungen

Raster,schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss

Herausgeber

Verlag

Taylor and Francis

Seitenzahl

420

Maße (L/B/H)

25,4/17,8/2,5 cm

Gewicht

980 g

Sprache

Englisch

ISBN

978-1-03-278948-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Routledge Handbook to the Popular Music Cover Song

  • Introduction: The Recorded Song as Vivid Text
    MIKE ALLEYNE AND LORI BURNS

    1 The Legacy of Cross Racial Covers
    JEREMY OROSZ

    2 Wakon-Beisai: Japanese Versions of "Jailhouse Rock"
    Elvis Presley (1957); Michiko Hamamura (1957)
    AKITSUGU KAWAMOTO

    3 Gesture, Text, Context: Post-Punk and New Wave Interpretations of Early Soul and Funk
    Barrett Strong, "Money (That's What I Want)" (1959); The Flying Lizards (1979) James Brown, "Get Up (I Feel Like Being a) Sex Machine (Part 1)" (1970); The Flying Lizards (1984)
    TOM ATTAH

    4 A Microcosm of Punk Aesthetics: The Residents and Devo "(Can't Get No) Satisfaction"
    The Rolling Stones (1965); The Residents (1976); Devo (1977)
    JOHN ENCARNAÇÃO

    5 "Hey Joe": A Triad of Black Recorded Interconnections
    The Jimi Hendrix Experience (1966); Seal (1991); Black Uhuru (1990)
    Mike Alleyne
    6 Voicing Historicity in "Four Women"
    Nina Simone (1966); Meshell Ndegeocello (2012)
    ERIK STEINSKOG
    7 Two Sides of Motown: "Ain't No Mountain High Enough"
    Marvin Gaye and Tammi Terrell (1967); Diana Ross (1970)
    JAAP KOOIJMAN

    8 Someone Left the Cake Out in the Rain": Donna Summer's "Macarthur Park" Cover and Disco Extravaganza
    Richard Harris (1968); Donna Summer (1978)
    JOHN HOWLAND

    9 `Black Sabbath: A Legacy in Cover Songs "Black Sabbath" (1970); Thou (2009); "Paranoid" (1970); Kylesa (2015); "Solitude" (1971); Ulver (2007); "Changes" (1972); Charles Bradley (2016); "Sabbath Bloody Sabbath" (1973); The Cardigans (1994); "Symptom of the Universe" (1975); Sepultura (1994)
    LORI BURNS AND PATRICK ARMSTRONG

    10 "Your Song," My Chords: A Phenomenological Analysis of Ellie Goulding's Cover
    Elton John, "Your Song" (1970); Ellie Goulding (2010)
    PAT O'GRADY AND ALEX CHILVERS

    11 "There Is Your Song from Me": Re-Imagining "Blue"
    Joni Mitchell (1971); Arc Iris (2018)
    IVAN TAN

    12 Pictures at the Mekong Delta: Shaping Mussorgsky into Heavy Metal
    Mekong Delta, "Pictures at an Exhibition" (1996); Emerson, Lake and Palmer (1971)
    DAVID MIGUEL

    13 "Can't You Hear Me?" from Emotional Distress to a Social "S.O.S." Portishead's Version of ABBA's Hit Song
    ABBA, "S.O.S." (1974); Portishead (2016)
    GITTIT PEARLMUTTER

    14 Covering and Commercializing Soca: Transforming the Soundtrack of Carnival into Novelty Pop Tunes
    Lord Kitchener, "Sugar Bum Bum" (1977); Swamp Dogg (2000) Anslem Douglas, "Doggie" (1998); Baha Men, "Who Let the Dogs Out" (2000)
    MEAGAN A. SYLVESTER NIGEL A. CAMPBELL

    15 Thin Dime, Hard Times": Competing Trajectories of Genre and Authenticity in Bluegrass
    Tony Rice, "Church Street Blues" (1983); Punch Brothers (2022)
    CHARLES EDHOLM

    16 The Ironic Cover Song: "My Sharona" Meets the Alternative 90s
    The Knack (1979); Veruca Salt (1995)
    THEO CATEFORIS

    17 "Midnight Rider's Prayer": Brothers Osborne's Recontextualization of Willie Nelson's "On the Road Again" in Post-2020 America
    Willie Nelson (1980); Brothers Osborne (2022)
    VICTORIA MALAWEY

    18 Asserting the Missing Indigenous Voice in "Run to the Hills"
    Iron Maiden (1982); Tanya Tagaq and Damian Abraham (2018)
    KAREN FOURNIER

    19 Cover Songs and Queer (Musical) Ontologies: A Case Study on Maxwell's "This Woman's Work"
    Kate Bush (1988); Maxwell (1997)
    STEPHANIE DOKTOR

    20 Cover Conceptions and Boundaries: When A Cover Includes Original Artists
    Metallica, "One" (1988); Apocalyptica (2024)
    CIRO SCOTTO

    21 Alternative's Alternatives: Radical Reimaginings of "Smells Like Teen Spirit"
    Nirvana (1991); Tori Amos (1992); Think Up Anger feat. Malia J (2015)
    LESLIE A. TILLEY

    22 Friday I'm In Lofi: ASMR Aesthetics and the Gentle Pleasure of Phoebe Bridgers's Cover of the Cure
    The Cure, "Friday, I'm in Love" (1992); Phoebe Bridgers (2018)
    BRONWEN MCVEIGH

    23 Who is the Real Femme Fatale? Film Noir, Shifting Perspective, and Performance in "Things Have Changed"
    Bob Dylan (2000); Bettye LaVette (2018)
    KATIE KAPURCH AND JON MARC SMITH

    24 Silencing Kim: Lingua Ignota's Transformation of Eminem's "Kim" Eminem (2000); Lingua Ignota (2020)
    OLIVIA R. LUCAS

    25 Signing Divas: Sign Language Covers of "Defying Gravity"
    Idina Menzel and Kristin Chenoweth (2003); Sandra Mae Frank(2017); Rogan Shannon (2021); Amber Zion (2024); Joshua Castille (2024)
    ANABEL MALER

    26 Abstract Orchestra Signifyin(g) on Madvillain's "Meat Grinder" Madvillain (2004); Abstract Orchestra (2019)
    RAGNHILD BRØVIG AND ALEX STEVENSON

    27 Shades of Heartache and Musical Identity in "The Limit to Your Love"
    Feist (2007); James Blake (2010)
    KAI ARNE HANSEN