Seen and Unseen What Dorothea Lange, Toyo Miyatake, and Ansel Adams's Photographs Reveal About the Japanese American Incarceration
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- Hardcover
- Taschenbuch ausgewählt
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Sprache:Englisch
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Beschreibung
Produktdetails
Einband
Taschenbuch
Altersempfehlung
10 - 14 Jahr(e)
Erscheinungsdatum
17.09.2026
Illustriert von
Lauren Tamaki
Verlag
Abrams & ChronicleSeitenzahl
132
Maße (L/B/H)
20,5/25,5/1,6 cm
Gewicht
538 g
Sprache
Englisch
ISBN
978-1-79723-616-2
Winner of the Robert F. Sibert Informational Book Medal
Winner of the BolognaRagazzi Award for Photography
Named a Best Book of the Year by Booklist, Kirkus Reviews, School Library Journal, New York Public Library, Chicago Public Library, and others.
★ “This arresting work brings history to vivid life.” —Kirkus Reviews,starred review
★ “[An] exquisitely crafted, fiercely provocative work of nonfiction.” —BCCB,starred review
“Ingeniously designed.” —The New York Times
Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.
Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:
Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.
Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.
Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.
In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.
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