Vor Ort
Merkzettel Warenkorb
Produktbild: The Art Market and the Museum
Vorbesteller Neu

The Art Market and the Museum Institutional Collecting, Display and Patronage since the Mid-Nineteenth Century

Aus der Reihe Bloomsbury Visual Arts

37,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

07.01.2027

Herausgeber

Frances Fowle + weitere

Verlag

Bloomsbury Academic

Seitenzahl

328

Maße (L/B/H)

23,4/15,6/1,8 cm

Gewicht

464 g

Sprache

Englisch

ISBN

978-1-350-38539-9

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

07.01.2027

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

328

Maße (L/B/H)

23,4/15,6/1,8 cm

Gewicht

464 g

Sprache

Englisch

ISBN

978-1-350-38539-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
Die Leseprobe wird geladen.
  • Produktbild: The Art Market and the Museum

  • List of Plates
    List of Figures
    Notes on Contributors
    Acknowledgements
    Series Editor Preface
    Introduction, Frances Fowle and MaryKate Cleary

    Part One: The Museum and The Art Dealer
    1. Trusted Agents of the Government: British Dealers and the Museum, 1850-1900, Diana Davis (Independent Researcher, UK)
    2. Siegfried Bing and the Fin-de-Siècle Market for Japanese Art: Dealers, Collectors & Museums, Tsuksasa Kodera (Osaka University, Japan)
    3. Dubious Dealings and issues of connoisseurship: David Croal Thomson and the National Galleries of Scotland, Frances Fowle (University of Edinburgh, UK)
    4. Etienne Bignou's Matisse and Picasso Exhibitions of the 1930s: The Gallery Show as Prototype for Museum Retrospectives, Christel H. Force (Independent Researcher, USA & France)
    5. The Middle Men of Art: Knoedler's and the building of the great American collections, Anne Helmreich (Smithsonian Institution, USA), Sandra van Ginhoven (Getty Research Institute, USA), DiAndra Reyes (Independent Researcher, USA), Kyllie King (Independant Researcher, Italy)

    Part Two: Women as Art Agents and Influencers
    6. From Executrix to Curator: Rosalind Birnie Philip and the Whistler Estate, Alicia Hughes (British Museum, UK)
    Collection, 1903-1958
    7. Our Woman in Cairo: Lucy Olcott Perkins as Agent for Cleveland Museum, Imogen Tedbury (National Gallery, UK)
    8. A Seed of Desire: Effie Seachrest and Women Collectors in Kansas City, Mackenzie Mallon (The Nelson-Atkins Museum of Art, USA)
    9. Impermanent Bliss: Deaccessioning by MoMA and its Consequences, Irene Walsh (Independent Researcher, UK)

    Part Three: The Entrepreneurial Collection and the Emergence of the Private Museum
    10. Trade, Art Market and Museum: Alfred Chauchard's Legacy to the Louvre, Morgane Weinling (Louvre Museum, France)
    11. Marjorie Merriweather Post's Hillwood and the Vision from a Private Collection to Public Museum, Rebecca Tilles (School of Jewellery Arts, France)
    12. Filling in the Gaps of his Collection? A Reassessment of Sir William Burrell's Late Collecting Practice, 1944-1957, Isobel MacDonald (University College London, UK)
    13. The Private Museum: Evolving Models of Collecting and the Interplay between Collectors and the Art Market, Georgina Walker (The University of Melbourne, Australia)

    Index