Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
20.01.2026
Abbildungen
Farb. Abb.
Verlag
Random House N.Y.Seitenzahl
144
Maße (L/B/H)
32,8/28,8/1,9 cm
Gewicht
1514 g
Sprache
Englisch
ISBN
978-1-968417-00-0
Published on the occasion of Willem de Kooning: Endless Painting, 555 West 24th St, New York, an exhibition organized with the support of the Willem de Kooning Foundation and curated by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art. The book documents paintings by the artist dating from 1944 through 1986 and two sculptures, with a dedicated plates section featuring the works in the exhibition, installation shots, and contextual images of the artist. Endless Painting is the sixth solo exhibition of de Kooning’s work presented by Gagosian, with the first organized in 1987.
A pioneering figure of the postwar era, de Kooning probed the expressive potential of color, line, and space and continuously challenged the boundaries between figuration and abstraction. Through the considered placement of late paintings the exhibition foregrounds visual motifs that recurred throughout de Kooning’s career. This approach reflects Alemani’s close investigation of paintings from the 1980s in which she identified an expansive repertoire of human forms—elbows, knees, mouths, eyes—that can be traced as far back as the artist’s works of the 1930s and 1940s that drew on Cubism and Surrealism.
De Kooning often reworked canvases, reincorporating passages from earlier compositions by tracing shapes he wanted to preserve onto vellum, and even changing their orientation multiple times during the painting’s gestation. It was through revisiting and revising his compositions that he developed a consistent but flexible vocabulary of color and gesture rooted in figuration. “A restless explorer of the canvas, de Kooning never stopped interrogating the possibilities of what painting could be,” Alemani notes. The exhibition’s title, Endless Painting, references this enduring, ever-evolving visual language and the artist’s professed decision to “just stop” rather than formally finish paintings. Alemani and John Elderfield explore these concepts in the book and expand on the many possible interpretations of de Kooning’s work.
Noch keine Bewertungen vorhanden
Verfassen Sie die erste Bewertung zu diesem Artikel
Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.
Kurze Frage zu unserer Seite
Vielen Dank für Ihr Feedback
Wir nutzen Ihr Feedback, um unsere Produktseiten zu verbessern. Bitte haben Sie Verständnis, dass wir Ihnen keine Rückmeldung geben können. Falls Sie Kontakt mit uns aufnehmen möchten, können Sie sich aber gerne an unseren Kund*innenservice wenden.
zum Kundenservice