Placing Crime Fiction and Ecology: An Introduction
Nathan Ashman
Part I: Space and Topography
- Affect in Peter May's Lewis and Harris Novels
Terry Gifford
- "The Goshawk Did It": Nature Writing and Detection in Ann Cleeves'
The Crow Trap
Ian Kenny and Irina Souch
- The Norfolk Saltmarsh: Elly Griffiths and Place in Contemporary Crime Fiction
Nicola Bishop
- The Big Deep: The Ecological Turn in Nordic Noir
Michael Hinds and Tomas Buitendijk
- Aesthetic Imaginaries of Nature and Nationhood in the Works of Arnaldur
Indriðason
Priscilla Jolly
- Unsettlement, Climate and Rural/Urban Place-Making in Australian Crime
Fiction
Rachel Fetherston
Part II: Bodies and Violence
- Pest Control: "Wasp Season" in Agatha Christie's "The Blue Geranium"
Alicia Carroll
- Green Machinations: Unknown Poison, Ecology and Female Criminal Agency in
L.T. Meade's The Sorceress of the Strand
Caitlin Anderson
- "Scorched Earth": Transgressive Bodies, Historic Criminality, and Colonial
Recursions in Louise Erdrich's The Round House
Malinda Hackett
- "Animals Taking Revenge": Imagining Murder as an Ecological Encounter in
Olga Tokarczuk's Drive Your Plow Over the Bones of the Dead
Andrew Yallop
- Protecting the Rhinos and Our Young Democracy: Nature and the State in
Post-Apartheid South African Crime Fiction
Colette Guldimann
- "Look at Mother Nature on the Run": 'The Troubles' in Adrian McKinty's Sean
Duffy Novels
Bill Phillips
- Environmental Crime and the Dialectics of Slow and Divine Violence in
Poso Wells by Gabriela Alemán
Rafael Andúgar
Part III: Epistemologies
- "Holmes, that's some Santa Claus shit": Reading Lydia Millet's A Children's
Bible as Ecological Crime Fiction
MaKenzie Hope Munson and Kevin Andrew Spicer
- John D. MacDonald and the Advent of Ecocrime Fiction
Kristopher Mecholsky
- Choking to Death: True Crime and the Great Smog
Anita Lam
- "Every Crime Has its Peculiar Odor": Detection, Deodorization and Intoxication
Hsuan Hsu
- In Paolo Bacigalupi's Environmental Science Fiction, Immoral and Criminal are
not Synonymous
Patrick D. Murphy
- From Crime Scene to Anthropocene in 2010s Argentinian Narrative
David Conlon
- Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback
Noir
Katrin Althans
Part IV: Criminality and Justice
- Revising Crime in Fiction: An Environmental Invitation
Marta Puxan-Oliva
- Criminal Violences: The Continuum of Settler Colonialism and Climate
Crisis in Recent Indigenous Fiction
Rebecca Tillett
- Environmental Racism and Post-Katrina Crime Fiction
Ruth Hawthorn
- Seeking Environmental Justice: Muti in South African Crime Fiction
Felicity Hand
- A Form of Wild Justice: Carl Hiaasen's Deployment of Carnivalesque
Environmental Ethics and Moral Technology
Anna Kirsch
- Environmental Concerns in Carl Hiaasen's Crime Fiction
David Geherin
- New Energy, Old Crime: Forms of Individual and Collective Responsibility
in Nordic Crimes Series
Leonardo Nolé
Part V: Energy, Globality and Circulation
- "It Tasted Like Gasoline": The American Roman Noir and the Oil Encounter
in Elliott Chaze's Black Wings Has My Angel (1953)
Nathan Ashman
- Oil and the Hardboiled: Petromobility, Settler Colonialism and the Legacy
of the American Century in Thomas King's Cold Skies
Alec Follett
- "The Whole World...Was a Gigantic Prison": Climate Crisis and Carceral
Capitalism in Rachel Kushner's The Mars Room
Megan Cole
- Reading Donna Leon as Mediterranean Noir
Valerie McGuire
- The Circulation of Global Environmental Concerns: Local and International
Perspectives in the Verdenero Collection and Donna Leon's Crime Fiction
Aina Vidal-Pérez
- Magic Seeds and The Living Dead: Investigating Transnational Eco-Crimes
in Rajat Chaudhuri's The Butterfly Effect
Damini Ray
