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Starring Asian Femininities Subverting the Gaze, Reclaiming the Frame

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.10.2026

Herausgeber

Ian Dixon + weitere

Verlag

Bloomsbury Academic

Seitenzahl

240

Maße (L/B/H)

23,4/15,6/1,3 cm

Gewicht

344 g

Sprache

Englisch

ISBN

978-1-350-43439-4

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.10.2026

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

240

Maße (L/B/H)

23,4/15,6/1,3 cm

Gewicht

344 g

Sprache

Englisch

ISBN

978-1-350-43439-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Starring Asian Femininities

  • Introduction

    Section One: Correlations
    Chapter 1: Modes of Deceptions: The Plasticity of Kyo Machiko, Kimono's Dangerous/Naive Presence in Japanese Film, (Lucile Druet, Kansai Gaidai University, Hirakata, Osaka, Japan)
    Chapter 2: Heavy Shadowing: Sono Osato and the Japanese Spectre on the American Screen (Angelene Wong, Nanyang Technological University, Singapore)
    Chapter 3: Tan Kheng Hua's Way: Acting Chinese/Asian/Singaporean (Nadya Wang)
    Chapter 4: Chinese Femininity in Huallywood: Branding Jing Tian With Transnational Appeal (Yixuan Feng, University of Liverpool, UK)

    Section 2: Transformations
    Chapter 5: 'Fat Fat': Lydia Shum as the Most Lovable Hong Kong Comedienne, (Yung-Hang Bruce Lai, King's College, London, UK)
    Chapter 6: Between the Male Gaze and Female Expression: Chinese comedienne Jia Ling and her film, 'Hi, Mom', (Xiao Yang, Monash University, Australia. Master's from University College, London, UK)
    Chapter 7: Celebrity Contradictions and Borrowed Auras: Iza Calzado (Ian Dixon, Nanyang Technological University, Singapore)
    Chapter 8: Soft Masculinity, a New Aesthetic and Gender Performance of Tom Identity in Thailand, (Charlin Nukul, Rajamangala University of Technology Thanyaburi, Thailand)

    Section 3: Reconfigurations
    Chapter 9: Michelle Yeoh and the Cultivation of an Oscar-Winning Screen Persona, (Andrew Hock Soon Ng, Monash University, Malaysia)
    Chapter 10: From Occidental Pornstar to Oriental Mistress: The Sexual Re-Orientation of Sunny Leone in Indian Cinema, (Dr. Sony Jalarajan Raj, MacEwan University, Canada, and Mr. Adith K Suresh, MacEwan University, Canada)
    Chapter 11: Zhang Ziyi as the 'New Chinese Exotic', (Deng Bingying, Nanyang Technological University,
    Singapore)
    Chapter 12: Sunmi as 'Heroine, Gashina, and Siren': How a Former Member of the K-Pop Group The Wonder Girls Developed 'Sunmi-Pop', (Grace Kao, Yale University, USA)

    Index