I Hate Old Music, Too How Familiarity & Overuse Killed Our Favorite Music
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Form:Einzelkauf Download
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Sprache:Englisch
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Verlag:Bloomsbury eBooks US
21,10 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Nein
Erscheinungsdatum
20.02.2024
Verlag
Bloomsbury eBooks USSeitenzahl
282 (Printausgabe)
Dateigröße
6460 KB
Sprache
Englisch
EAN
9798216310617
Edgy, witty, and opinionated critical analysis of "classic rock" in the 21st century, discussing everything from modern remixes of classic albums (why?) to concert ticket prices, Record Store Day, the vinyl revival, milking deceased artists, reunions, tribute acts, and more.
When Dave Thompson's I Hate New Music: The Classic Rock Manifesto in 2008, the book did not so much divide the world of rock reading as leave it in an uproar. It started arguments, it ended debates, and for the author of over 150 music books, it not only received the strongest reader response of any book he'd written, it also still crops up in author interviews today.
Almost fifteen years later, however, much has changed, and the classics have lost some of their bite as well. In I Hate Old Music, Too, Thompson recasts the story of "classic rock" in the 21st century.
Among the targets of his ire are lavish box sets that mostly just duplicate the albums you already own; comebacks and reunions featuring half or even fewer of the band members; the dark side of the "vinyl revival;" the continued cult of The Beatles; and much more.
When Dave Thompson's I Hate New Music: The Classic Rock Manifesto in 2008, the book did not so much divide the world of rock reading as leave it in an uproar. It started arguments, it ended debates, and for the author of over 150 music books, it not only received the strongest reader response of any book he'd written, it also still crops up in author interviews today.
Almost fifteen years later, however, much has changed, and the classics have lost some of their bite as well. In I Hate Old Music, Too, Thompson recasts the story of "classic rock" in the 21st century.
Among the targets of his ire are lavish box sets that mostly just duplicate the albums you already own; comebacks and reunions featuring half or even fewer of the band members; the dark side of the "vinyl revival;" the continued cult of The Beatles; and much more.
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