Freeing the Voices
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Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
01.06.2025
Herausgeber
Andreja Hribernik + weitereVerlag
Verlag für moderne KunstSeitenzahl
216
Maße (L/B/H)
20,9/16,2/1,8 cm
Gewicht
472 g
Auflage
1. Auflage
Sprache
Deutsch, Englisch
ISBN
978-3-99153-189-0
The world we live in has become completely out of balance in the face of multiple crises and the loss of a common space in which bodies can resonate with each other.
Freeing the Voices is about getting in tune with the world (again). The voice is a tool for healing, connection and resistance – a means of making ourselves heard. At the same time, it is about listening to ourselves and to others, to human and non-human voices. Just as we express ourselves through our voice, listening means caring and paying attention to the other – but it can also mean obedience to authority. Our voices are grounded, yet at the same time related to many different contexts.
Although there is no such thing as our own authentic voice, the liberation of our individual and collective voice is the horizon of the works presented – from Marina Abramović's human scream to the barely perceptible voice of a mosquito in Tao G. Vrhovec Sambolec's work. Liberating our voices does not mean finding a self-hood to which our voice perfectly corresponds. What we really liberate with the voice is our relationship to the world.
With works by Noor Abed, Marina Abramović, Lawrence Abu Hamdan, Babi Badalov, selma banich, CO2... a couple of artists, VALIE EXPORT, Farhad Farzali, Essa Grayeb, Ida Hiršenfelder, Saodat Ismailova, Anna Jermolaewa, Mikhail Karikis, Anton Kats, Belinda Kazeem-Kamiński, Brandon LaBelle & Octavio Camargo, Katalin Ladik, Lucia Nimcová, Lala Raščić, Antoni Rayzhekov, Gerhard Rühm, Selma Selman, ŠKART & NONpractical Women, Mladen Stilinović, Irena Z. Tomažin, Nora Turato, Tao G. Vrhovec Sambolec.
Freeing the Voices is about getting in tune with the world (again). The voice is a tool for healing, connection and resistance – a means of making ourselves heard. At the same time, it is about listening to ourselves and to others, to human and non-human voices. Just as we express ourselves through our voice, listening means caring and paying attention to the other – but it can also mean obedience to authority. Our voices are grounded, yet at the same time related to many different contexts.
Although there is no such thing as our own authentic voice, the liberation of our individual and collective voice is the horizon of the works presented – from Marina Abramović's human scream to the barely perceptible voice of a mosquito in Tao G. Vrhovec Sambolec's work. Liberating our voices does not mean finding a self-hood to which our voice perfectly corresponds. What we really liberate with the voice is our relationship to the world.
With works by Noor Abed, Marina Abramović, Lawrence Abu Hamdan, Babi Badalov, selma banich, CO2... a couple of artists, VALIE EXPORT, Farhad Farzali, Essa Grayeb, Ida Hiršenfelder, Saodat Ismailova, Anna Jermolaewa, Mikhail Karikis, Anton Kats, Belinda Kazeem-Kamiński, Brandon LaBelle & Octavio Camargo, Katalin Ladik, Lucia Nimcová, Lala Raščić, Antoni Rayzhekov, Gerhard Rühm, Selma Selman, ŠKART & NONpractical Women, Mladen Stilinović, Irena Z. Tomažin, Nora Turato, Tao G. Vrhovec Sambolec.
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