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  • Produktbild: A Critical History of Health Films in Central and Eastern Europe and Beyond
  • Produktbild: A Critical History of Health Films in Central and Eastern Europe and Beyond

A Critical History of Health Films in Central and Eastern Europe and Beyond

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.05.2025

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

284

Maße (L/B/H)

23,4/15,6/1,5 cm

Gewicht

436 g

Sprache

Englisch

ISBN

978-1-03-222354-4

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.05.2025

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

284

Maße (L/B/H)

23,4/15,6/1,5 cm

Gewicht

436 g

Sprache

Englisch

ISBN

978-1-03-222354-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A Critical History of Health Films in Central and Eastern Europe and Beyond
  • Produktbild: A Critical History of Health Films in Central and Eastern Europe and Beyond

  • Introduction: Nonlinear historicizing as a method for studying health films. Part 1: Child and nation in the focus of rescue-mission health films. 1. The interwar obsession with family: Eugenic pathos vs. humanistic skepticism. 2. Collective care vs. the "backward" family in Jak Vaší¿ek p¿išel k nohám. 3. The institutionalized child as a precondition for the healthy nation in the films of Mladen Širola. 4. Central and Eastern European film in the search for deconstructing the institutionalized child. Part 2: Health films for teaching children 5. The complex legacy of early animated health films in Eastern Europe. 6. Bacilínek (1922) on the stage of the national and global orders of health security. 7. Health films for children: Between cultural reciprocity and popular scientism. Part 3: Men and women in the focus of health films. 8. Health films as Bildungsroman for teaching men. 9. Masculinity in health films for the rural population. 10. Health films in the service of eugenic surveillance over women. Part 4: Health films for the interwar periphery. 11. Stín ve sv¿tle as the first health film for the periphery: The birth of the canon. 12. Ikina sudbina and Dobro za zlo: Extending the canon of health films to the Muslim periphery. 13. Films of the National Tuberculosis Association: Rooting health films for the periphery in the racial hierarchies of the interwar United States. 14. Conclusion: Health film as fantasy and event.