Raised on Radio Power Ballads, Cocaine and Payola: The AOR Glory Years 1976-1986
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- Hardcover ausgewählt
- Taschenbuch
- eBook
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Sprache:Englisch
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Verlag:Little, Brown and Company
34,99 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
24.02.2026
Abbildungen
16pp b&w and colour images, approx 35-50
Verlag
Little, Brown and CompanySeitenzahl
528
Maße (L/B/H)
24/16,7/4,7 cm
Gewicht
757 g
Farbe
Anthrazit / Mauve
Sprache
Englisch
ISBN
978-1-4087-2111-7
'Consistently entertaining... Splendid' Mail on Sunday
'Crammed with personal, often priceless insights about cut-throat life in the fast lane' Irish Times
A massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves.
Paul Rees's Raised on Radio is, remarkably, the first biography of AOR ('Album-Oriented Rock'), critically derided at the time but massively popular during its 1976-1986 heyday when artists such as Journey, Boston, Foreigner, Toto, REO Speedwagon, Heart, Pat Benatar, Bryan Adams, and Styx sold many millions of albums and toured stadiums. Today, those very same songs are streaming in record numbers and many of the artists continue to play to sellout audiences around the world. They may have been dismissed at the time as terminally uncool by elitist rock critics in thrall to punk and new wave, but their music was, and is still, the soundtrack to so many people's lives.
For better or worse, AOR's prime movers lived life in the fast lane. Cocaine use was rampant, egos were unchecked, and intra-band fighting became par for the course. What's more, their influence stretches across generations and through the fabric of popular American music. AOR invented the power ballad, and the sound of it has travelled on through hair metal, pop rock, and right up to Taylor Swift.
Raised on Radio is a stadium-sized, massively entertaining oral and pop-cultural history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But a Good Time, and Please Kill Me, capturing a time and place that was as big, booming, and unabashed as the music that provided its soundtrack.
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