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Produktbild: The Oxford Handbook of American Film History

The Oxford Handbook of American Film History

264,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.09.2025

Abbildungen

192 images

Herausgeber

Jon Lewis

Verlag

Oxford University Press

Seitenzahl

840

Maße (L/B/H)

23,6/18/4,8 cm

Gewicht

1497 g

Sprache

Englisch

ISBN

978-0-19-755612-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.09.2025

Abbildungen

192 images

Herausgeber

Jon Lewis

Verlag

Oxford University Press

Seitenzahl

840

Maße (L/B/H)

23,6/18/4,8 cm

Gewicht

1497 g

Sprache

Englisch

ISBN

978-0-19-755612-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Oxford Handbook of American Film History

    • Introduction
    • Part 1. Early and Silent Cinema-1895-1927
    • Chapter 1: "All Things Go: Travel Imaginaries, Letter Sheets, and the Emergence of Cinema"
    • Chapter 2: Transition's Longue Duréeand the Historiographical Vagaries of Silent American Cinema
    • Chapter 3: 16mm Hollywood
    • Chapter 4: "The Conquest of Paris": Making French Cinema American, 1910-1925
    • Chapter 5: Slapstick as Media History, or, the Joke in the Machine
    • Chapter 6: "Rethinking Uplift and Class in Early Black American Cinema"
    • Chapter 7: When "Orientals" Become "Indians": Gender, Race, Masquerade in Frontier Silent Films
    • Part 2. Classical Hollywood-1928-1946
    • Chapter 8: The Classical Hollywood Studio Era: A Case Study of Warner Brothers
    • Chapter 9: The Sound of Movement
    • Chapter 10: The MGM Woman's Film 1928-1947
    • Chapter 11: Managing the Classical Hollywood Musical's Dancing Bodies: "Morality" and Glamour
    • Chapter 12: Hollywood Gangsters: Crime, Punishment, and Movieland Celebrity
    • Chapter 13: License Revoked? Orson Welles's Studio Films of the Mid-Forties
    • Part 3. The Postwar Transition-1947-1967
    • Chapter 14: "Image Management and the Fall of Hollywood's Golden Age"
    • Chapter 15: Selling Noir's "Red Meat" to the Female Market
    • Chapter 16: Efficient Alfred: Hitchcock's Technical Images, 1946-1964
    • Chapter 17: Becoming Queen: Barbara Stanwyck's Postwar Westerns
    • Chapter 18: The Square Screen: A Look at the Unhip Cinema of the 1960s
    • Chapter 19: "'Who Do I Have to Fuck to Get off This Picture?' Roger Corman as Progressive Exploitation Auteur"
    • Part 4. The New Hollywood(s)-1968-1999
    • Chapter 20: "Industrial Signposts to New Hollywood's Demise: First Artists, the Directors Company and United Artists"
    • Chapter 21: The End of the World (As It Is Collectively Known at the Time): Hit Patterns in US and Global Box-Office Charts
    • Chapter 22: "Men Produce, Women Develop": Feminized Story Labor, Executive Power and the "D-Girl" In New Hollywood
    • Chapter 23: Foxtrot Tango Alpha: Jane Fonda's New Hollywood
    • Chapter 24: Changing the Conversation: Black Film Discourse in 1970s New York
    • Chapter 25: Male Fusion: Cronenberg's Masculinities, The Fly, and the First AIDS Era
    • Chapter 26: "A short little Hebrew man" with "a scintilla of homosexuality": Mel Brooks's Queer Comedy and Vulgar Humanism, from The Producers (1967) to The Producers (2005)
    • Chapter 27: Genderqueer Approaches to Blaxploitation
    • Part 5. Converging Media-2000-2023
    • Chapter 28: "Fin-dies," Filmanthropy, and the Financialization of Indie Film
    • Chapter 29: From Tentpoles to Universes: Hollywood's Evolving Franchise Strategy
    • Chapter 30: The Disintegration Effect
    • Chapter 31: "Dark Money Documentaries"
    • Chapter 32: Forward-looking Statements, or, The Content of the Content