Vor Ort
Merkzettel Warenkorb
Produktbild: The Oxford Handbook of American Film History

The Oxford Handbook of American Film History

261,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.09.2025

Herausgeber

Jon Lewis

Verlag

Oxford University Press

Seitenzahl

840

Maße (L/B/H)

23,6/18/4,8 cm

Gewicht

1497 g

Sprache

Englisch

ISBN

978-0-19-755612-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.09.2025

Herausgeber

Jon Lewis

Verlag

Oxford University Press

Seitenzahl

840

Maße (L/B/H)

23,6/18/4,8 cm

Gewicht

1497 g

Sprache

Englisch

ISBN

978-0-19-755612-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
  • Produktbild: The Oxford Handbook of American Film History

    • Introduction

    • Part 1. Early and Silent Cinema-1895-1927

    • Chapter 1: "All Things Go: Travel Imaginaries, Letter Sheets, and the Emergence of Cinema"

    • Chapter 2: Transition's Longue Duréeand the Historiographical Vagaries of Silent American Cinema

    • Chapter 3: 16mm Hollywood

    • Chapter 4: "The Conquest of Paris": Making French Cinema American, 1910-1925

    • Chapter 5: Slapstick as Media History, or, the Joke in the Machine

    • Chapter 6: "Rethinking Uplift and Class in Early Black American Cinema"

    • Chapter 7: When "Orientals" Become "Indians": Gender, Race, Masquerade in Frontier Silent Films

    • Part 2. Classical Hollywood-1928-1946

    • Chapter 8: The Classical Hollywood Studio Era: A Case Study of Warner Brothers

    • Chapter 9: The Sound of Movement

    • Chapter 10: The MGM Woman's Film 1928-1947

    • Chapter 11: Managing the Classical Hollywood Musical's Dancing Bodies: "Morality" and Glamour

    • Chapter 12: Hollywood Gangsters: Crime, Punishment, and Movieland Celebrity

    • Chapter 13: License Revoked? Orson Welles's Studio Films of the Mid-Forties

    • Part 3. The Postwar Transition-1947-1967

    • Chapter 14: "Image Management and the Fall of Hollywood's Golden Age"

    • Chapter 15: Selling Noir's "Red Meat" to the Female Market

    • Chapter 16: Efficient Alfred: Hitchcock's Technical Images, 1946-1964

    • Chapter 17: Becoming Queen: Barbara Stanwyck's Postwar Westerns

    • Chapter 18: The Square Screen: A Look at the Unhip Cinema of the 1960s

    • Chapter 19: "'Who Do I Have to Fuck to Get off This Picture?' Roger Corman as Progressive Exploitation Auteur"

    • Part 4. The New Hollywood(s)-1968-1999

    • Chapter 20: "Industrial Signposts to New Hollywood's Demise: First Artists, the Directors Company and United Artists"

    • Chapter 21: The End of the World (As It Is Collectively Known at the Time): Hit Patterns in US and Global Box-Office Charts

    • Chapter 22: "Men Produce, Women Develop": Feminized Story Labor, Executive Power and the "D-Girl" In New Hollywood

    • Chapter 23: Foxtrot Tango Alpha: Jane Fonda's New Hollywood

    • Chapter 24: Changing the Conversation: Black Film Discourse in 1970s New York

    • Chapter 25: Male Fusion: Cronenberg's Masculinities, The Fly, and the First AIDS Era

    • Chapter 26: "A short little Hebrew man" with "a scintilla of homosexuality": Mel Brooks's Queer Comedy and Vulgar Humanism, from The Producers (1967) to The Producers (2005)

    • Chapter 27: Genderqueer Approaches to Blaxploitation

    • Part 5. Converging Media-2000-2023

    • Chapter 28: "Fin-dies," Filmanthropy, and the Financialization of Indie Film

    • Chapter 29: From Tentpoles to Universes: Hollywood's Evolving Franchise Strategy

    • Chapter 30: The Disintegration Effect

    • Chapter 31: "Dark Money Documentaries"

    • Chapter 32: Forward-looking Statements, or, The Content of the Content