Produktbild: Women Re-Creating Classics

Women Re-Creating Classics Contemporary Voices

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Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

10.07.2025

Herausgeber

Emily Hauser + weitere

Verlag

Bloomsbury

Seitenzahl

344

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

520 g

Sprache

Englisch

ISBN

978-1-350-44508-6

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

10.07.2025

Herausgeber

Verlag

Bloomsbury

Seitenzahl

344

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

520 g

Sprache

Englisch

ISBN

978-1-350-44508-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Women Re-Creating Classics
  • List of Figures
    List of Contributors
    Acknowledgments

    Introduction (Emily Hauser and Helena Taylor, Exeter University, UK)

    Creative Voices
    1. Rewriting Greek Myth as a Woman (Emily Hauser, Exeter University, UK)
    2. Classics and Craft (Madeline Miller, Independent Scholar, USA)
    3. Return to the Labyrinth: Retelling the Stories of Mythical Women in Contemporary Poetry (Fiona Benson, Independent Scholar, UK)
    4. Eurydice (Jennifer Saint, King's College London, UK)
    5. Only Hope Remained (Rani Selvarajah, Independent Scholar, UK)
    6. In the Bad Times (Cait Kremenstein, Independent Scholar, UK)
    7. The Homeric Hymn to Dionysus (Roz Kaveney, Independent Scholar, UK)
    8. Stage Manager's Notes (Gwyneth Lewis, Independent Scholar, UK)
    9. Excerpt from Exit Kassandra (Carrie Etter, University of Bristol, UK)
    10. a vespere nomen: An extract from patient zero (Kit Byford, Independent Scholar, UK)
    11. The Real Sappho: Writing the Tenth Muse for the Contemporary Stage (Aimee Suzara, San Francisco State University and College of San Mateo, USA)
    12. Suspended Animation: How the Fetish World Gave Life to Catullus and Callimachus (Isobel Williams, Independent Scholar, UK)
    13. Transforming Voices: Ovid's Metamorphoses in Translation (Victoria Punch, Exeter University, UK)
    14. Self-portrait in Egg (excerpt) (Jane Alison, University of Virginia, USA)
    15. Declassifying Myself (Donna Zuckerberg, Independent Scholar, USA)

    Collaborations and Conversations
    16. The Genesis and Creation of Dido/Elissa, a New Play by Magdalena Zira (Magdalena Zira, Independent Scholar, Cyprus; Edith Hall, Durham University, UK)
    17. On Not Turning to Stone: Unstaging Women's Sexual Trauma in an Adaptation of the Myth of Medusa (Wendy Haines, Independent Scholar, UK; Christine Plastow, Open University, UK)
    18. The Music of Homer: Anne Carson's TROYJAM (Yopie Prins, University of Michigan, USA; Anne Carson, Independent Scholar, Canada)
    19. Contemporary Women Writers: On Creativity in Recreating the Classics (Clare Pollard and Carrie Etter, Independent Scholars, UK)
    20. Interview with Gwyneth Lewis, by Polly Stoker (University of Winchester, UK)
    21. Interview with Selby Wynn Schwartz, by Helena Taylor (University of Exeter, UK)
    22. Interview with Ronni Kern, by Ruby Blondell (University of Washington, USA)
    23. Interview with Roz Kaveney, by Jennifer Ingleheart (Durham University, UK)
    24. Interview with Nikita Gill, by Emily Hauser (University of Exeter, UK)

    Creativity for the Future and Inclusive Classics
    25. Students Shaping Classics: Non-traditional, Open Assessment, Creativity, Inclusivity and Shifting Disciplinary Boundaries (Helen Lovatt, University of Nottingham, UK)
    26. Creative Teaching: Facing the Fear and Doing it Anyway (Sharon Marshall, University of Exeter, UK)
    27. Imagining a World of Gods and Spirits Using Smells, Bells and More: A Creative Writing Workshop (Caroline Lawrence)
    28. Breaking the Form: Women Writers across Creative and Critical Practice (Tom Geue, University of St. Andrews, UK; Emily Hauser, University of Exeter, UK; Daisy Dunn, Independent Scholar, UK)
    29. Epilogue: No Going Back (Emily Greenwood, Harvard University, USA)

    Notes
    Bibliography
    Index