Beyond Blue and White The Hidden History of Delftware and the Women Behind the Iconic Ceramic
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Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
25.09.2025
Verlag
Pegasus BooksSeitenzahl
336
Maße (L/B/H)
23,7/16,2/3,4 cm
Gewicht
544 g
Sprache
Englisch
ISBN
978-1-63936-891-4
An absorbing work of cultural history that reveals the stories behind one of the world's most coveted and beloved ceramic.
When over seventy-five pieces of rare and intriguing 17th and 18th century Delftware are rediscovered in an historic Manhattan townhouse, decorative art advisor and writer Genevieve Wheeler Brown quickly recognizes that, together, these pieces tell an amazing story. What begins as a curatorial exercise quickly evolves not only into an exploration of this colorful, expressive, and sometimes even humorous decorative art, coveted for hundreds of years, but also an unexpected uncovering of forceful female lives yet untold.
Connecting the accounts of women across centuries, Beyond Blue and White allows us to craft a more complete picture of female experience through the lens of material culture. We meet female Delftware makers, including Barbara Rotteveel founder of “The Three Bells” Delftware factory in 1671. We are introduced to female Delftware patrons such as Queen Mary II, who found her means of expression while creating a vogue in the 17th century for Delft blue and white across royal courts. And then there are the female collectors beginning in the 19th century who saw the artistry and craft in these ceramics others had overlooked. Foremost among them was Mrs. J. Pierpont Morgan and Mrs. Cornelius Vanderbilt II who came together with fellow New York women and laid the groundwork for women in the museum world while preserving decorative arts with an educational mission.
With illustrations of period objects, documents, maps, paintings, prints and drawings, Beyond Blue and White is a colorful celebration of an iconic decorative art and dynamic women living in extraordinary times. Wheeler Brown's rich narrative encourages us to see beyond the dazzling cobalt glaze of Delftware to consider that these vessels are also our connection to a history with a fascinating group of women at its center.
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