Band 73
Nadja
Aus der Reihe
Folio
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- Taschenbuch
- eBook ausgewählt
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Form:Einzelkauf Download
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Sprache:Englisch
16,00 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB 3
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
17.06.2025
Verlag
New York Review BooksSeitenzahl
160 (Printausgabe)
Dateigröße
10699 KB
Übersetzt von
Mark Polizzotti
Sprache
Englisch
EAN
9781681379371
A new translation of one of the defining works of the French surrealist movement, an energetic autobiographical novel that is at once both a tumultuous romance story and an initiation into the surrealism of everyday life.
In Paris, during the fall of 1926, André Breton met a young woman from the provinces who called herself Nadja because, she said, "in Russian it's the beginning of the word for hope, and because it's only the beginning." Their love affair was brief, intense, and intensely self-conscious. They both talked exuberantly of the book that Breton would make out of their days and nights. And indeed a year later (after Nadja was institutionalized and Breton had moved on to other love affairs) he began to write Nadja-a book of memory and analysis taking its cue in part from Freud's case studies, but also a book of ingeniously intercut images, drawing on Surrealist ideas to portray a soul whose very way of being approaches, in Breton's words, "the extreme limit of the Surrealist aspiration."
In this, the first new translation of Nadja in more than sixty years, Mark Polizzotti captures the youthful excitement, the abiding strangeness, and above all the freshness of Breton's prose. He also provides an illuminating introduction about the fate of the real Nadja, whose identity remained jealously guarded until the twenty-first century.
A gripping tale of infatuation and a meditation on the surrealism of everyday life, Nadja is still a thing of convulsive beauty, impossible to pin or put down, a precursor to works of Julien Gracq, Julio Cortázar, and W.G. Sebald.
In Paris, during the fall of 1926, André Breton met a young woman from the provinces who called herself Nadja because, she said, "in Russian it's the beginning of the word for hope, and because it's only the beginning." Their love affair was brief, intense, and intensely self-conscious. They both talked exuberantly of the book that Breton would make out of their days and nights. And indeed a year later (after Nadja was institutionalized and Breton had moved on to other love affairs) he began to write Nadja-a book of memory and analysis taking its cue in part from Freud's case studies, but also a book of ingeniously intercut images, drawing on Surrealist ideas to portray a soul whose very way of being approaches, in Breton's words, "the extreme limit of the Surrealist aspiration."
In this, the first new translation of Nadja in more than sixty years, Mark Polizzotti captures the youthful excitement, the abiding strangeness, and above all the freshness of Breton's prose. He also provides an illuminating introduction about the fate of the real Nadja, whose identity remained jealously guarded until the twenty-first century.
A gripping tale of infatuation and a meditation on the surrealism of everyday life, Nadja is still a thing of convulsive beauty, impossible to pin or put down, a precursor to works of Julien Gracq, Julio Cortázar, and W.G. Sebald.
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