Band 30
Tacita Dean
Aus der Reihe
October Files
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- Taschenbuch
- eBook ausgewählt
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Form:Einzelkauf Download
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Sprache:Englisch
30,40 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB 3
Kopierschutz
Ja
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
20.05.2025
Herausgeber
George Baker + weitereVerlag
Mit PressSeitenzahl
326 (Printausgabe)
Dateigröße
8775 KB
Sprache
Englisch
EAN
9780262383264
A highly anticipated and richly illustrated anthology of essays on the work of artist Tacita Dean.
This volume explores the deeply-influential work of Tacita Dean, recognized increasingly as one of the key artists of our times. Emerging initially as part of the generation of the so-called Young British Artists in the 1990s, Dean has reinvented the manner in which artists use analogue mediums such as drawing, photography, and film, prompting major questions in her work around the issues of time, memory, and history.
Dean's films embrace long takes that achieve a near-photographic stillness; they have been dedicated to obsolescent objects or stranded buildings, failed quests, and extraordinary figures-usually other artists and writers-nearing the end of their lives. But Dean's contemplative films have been rigorously reinvented as a form over the course of her career and linked to a widening series of projects involving writing, chalk drawings, found photographs, dance, and theater. This anthology explores the artist's expansive practice, gathering essays and interviews by authors from an array of disciplines including art criticism, philosophy, literature, and film. Spanning twenty-five years of the artist's career, the volume includes writings by George Baker, Douglas Crimp, Brian Dillon, Briony Fer, Hal Foster, Mark Godfrey, Louise Hornby, Rosalind Krauss, Elisabeth Lebovici, Jean-Luc Nancy, Tamara Trodd, Marina Warner, Peter Wollen, and the artist herself.
This volume explores the deeply-influential work of Tacita Dean, recognized increasingly as one of the key artists of our times. Emerging initially as part of the generation of the so-called Young British Artists in the 1990s, Dean has reinvented the manner in which artists use analogue mediums such as drawing, photography, and film, prompting major questions in her work around the issues of time, memory, and history.
Dean's films embrace long takes that achieve a near-photographic stillness; they have been dedicated to obsolescent objects or stranded buildings, failed quests, and extraordinary figures-usually other artists and writers-nearing the end of their lives. But Dean's contemplative films have been rigorously reinvented as a form over the course of her career and linked to a widening series of projects involving writing, chalk drawings, found photographs, dance, and theater. This anthology explores the artist's expansive practice, gathering essays and interviews by authors from an array of disciplines including art criticism, philosophy, literature, and film. Spanning twenty-five years of the artist's career, the volume includes writings by George Baker, Douglas Crimp, Brian Dillon, Briony Fer, Hal Foster, Mark Godfrey, Louise Hornby, Rosalind Krauss, Elisabeth Lebovici, Jean-Luc Nancy, Tamara Trodd, Marina Warner, Peter Wollen, and the artist herself.
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