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  • Produktbild: Indigenous Media and Popular Culture in the Philippines
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Indigenous Media and Popular Culture in the Philippines Representations, Voices, and Resistance

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.02.2024

Herausgeber

Jason Paolo Telles

Verlag

Springer Singapore

Seitenzahl

198

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

423 g

Auflage

1st ed. 2024

Sprache

Englisch

ISBN

978-981-9991-00-6

Beschreibung

Portrait

Jason Paolo Telles is the Founder and Founding Executive Director of the Southeast Asian Media Studies Association (SEAMSA), an international, non-profit, non-government academic community that is actively committed to the study of media within the context of Southeast Asia. His research centers on critical media histories, indigenous media, the mediation of culture and/or the environment in media and popular culture, and the study of media within the context of Southeast Asian countries. Jason has also co-edited the Springer-published book Environment, Media, and Popular Culture in Southeast Asia with John Charles Ryan and Jeconiah Louis Dreisbach in 2022.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

09.02.2024

Herausgeber

Jason Paolo Telles

Verlag

Springer Singapore

Seitenzahl

198

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

423 g

Auflage

1st ed. 2024

Sprache

Englisch

ISBN

978-981-9991-00-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Indigenous Media and Popular Culture in the Philippines
  • Produktbild: Indigenous Media and Popular Culture in the Philippines
  • 1. Indigenous Media and Popular Culture Studies in the Philippines.- Part I. The indigenous in contemporary regional films.- 2. Negotiations on Necropolitics and Death in the Cinema on the Indigenous Peoples of Mindanao.- 3. Distress in the Agusan Marshlands: Mapping Landscapes of Fear In Francis Xavier Pasion’s Bwaya (2014).- Part II. Self representation, resistance, and counternarratives.- 4. Igorot Self-Representation in The #Proud_To_Be_An_Igorot_Challenge on Facebook.- 5. Contemporary Vernacular Music Broadcasting and Indigenous Cultural Mediation in Baguio City, Philippines.- 6. Reflexive Performance in Digital Spaces as Cultural Agency among the Manobo-Pulanguiyen.- 7. Reframing and Reclaiming Kulintang Music: Countering Written History with Contemporary Reality.- Part III. Configurations of space, values, and histories.- 8. When Lumad Youth (Re)write the Indigenous and The Juvenile: Constructiveness In Children’s Books told by Children.- 9. Lumad Indigenous Values and Voices inCitizen and Alternative News.- 10. The Redness of Balitok in Ibaloy Folklore and Literature.- 11. Space, Memory, and the Right to be Remembered: The Case of the Heroes’ Monument of the Butbut Tribe in Kalinga Province.