Horizontal Art History and Beyond Revising Peripheral Critical Practices

Introduction PART I: Practicing Horizontal Art History: Democracy 1. The Critical Museum Debate Continues 2. Horizontal Art History and the Revolutionary Double Bind 3. Horizontality without Limits: Postcolonial and Postsocialist Experience as Frameworks for Studying Art and Art History in Peripheries PART II: Practicing Horizontal Art History: Localisations 4. About the West 5. Close Other(s) in the West: Spain and Its Horizontal Histories during the Cold War 6. Russian Avant-Garde in the Optics of the Horizontal History of Art 7. Exhibition-Making as Horizontal Art History? 8. Toward Alter-Globalist History of Feminist Art  PART III: Challenging Horizontal Art History and Its Internal Contradictions 9. How to Write a Global History of Central and Eastern European Art 10. Not Horizontal Enough: Horizontal Art History with Marxist Restrictions 11. Cultural Backwardness and Economic Backwardness: How Can Horizontal Art History Tackle Socioeconomic Issues? 12. Horizontal Art History: Endangered Species 13. Freedom of Expression and Freedom of Art in the Perspective of Horizontal Art History PART IV: Alternatives to Horizontal Art History 14. Allegories of Orientation 15. From Horizontal Art History to Lateral Art Studies? 16. Why Horizontal Art History Cannot Escape Computation 17. Simultaneous Avant-Gardes and Horizontal Art Histories: Avant-Gardes Outside of the Canonic Narrations