On the spiritual in Art First complete English translation, with four full colour page reproductions, woodcuts and half tones
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Sprache:Englisch
2,99 €
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Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
03.11.2023
Verlag
Edizioni SavineSeitenzahl
(Printausgabe)
Dateigröße
2746 KB
Sprache
Englisch
EAN
9791222468792
FOREWORD TO THE 1946 NEW YORK EDITION
The Solomon R. Guggenheim Foundation is publishing the first complete English edition of "On the Spiritual in Art" by Kandinsky. It was translated and checked by American, English, Russian and German scholars, who have collaborated to achieve the best possible way of doing justice to the original, and of preserving and conveying, in the most reverent manner, the ideas and style of Kandinsky.1 A French edition is also being published in Paris, indicating the growing interest and demand for Kandinsky's art and his epochal advent. To enrich this book further, it was decided to enclose a short survey of Kandinsky's artistic work since 1904 to 1944, when he died in France, to give an idea of his evolution. There is also included a survey of comments made by the public in the Museum of Non-objective Painting in 1945, which proved that the vision of Kandinsky has come true and that his art has found many enthusiastic followers and co-workers.
The Solomon R. Guggenheim Foundation is publishing the first complete English edition of "On the Spiritual in Art" by Kandinsky. It was translated and checked by American, English, Russian and German scholars, who have collaborated to achieve the best possible way of doing justice to the original, and of preserving and conveying, in the most reverent manner, the ideas and style of Kandinsky.1 A French edition is also being published in Paris, indicating the growing interest and demand for Kandinsky's art and his epochal advent. To enrich this book further, it was decided to enclose a short survey of Kandinsky's artistic work since 1904 to 1944, when he died in France, to give an idea of his evolution. There is also included a survey of comments made by the public in the Museum of Non-objective Painting in 1945, which proved that the vision of Kandinsky has come true and that his art has found many enthusiastic followers and co-workers.
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