The Deer Hunter
Aus der Reihe
BFI Film Classics
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- Taschenbuch
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Form:Einzelkauf Download
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Sprache:Englisch
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eBook Format:PDF
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14,40 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Nein
Erscheinungsdatum
07.09.2023
Verlag
Bloomsbury eBooks UKSeitenzahl
120 (Printausgabe)
Auflage
1. Auflage
Sprache
Englisch
EAN
9781839025433
Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence.
Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
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