Produktbild: The Oxford Handbook of the Phenomenology of Music Cultures

The Oxford Handbook of the Phenomenology of Music Cultures

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.01.2024

Herausgeber

Berger Harris M. + weitere

Verlag

Oxford University Press

Seitenzahl

752

Maße (L/B/H)

25,1/17,8/6,1 cm

Gewicht

1388 g

Sprache

Englisch

ISBN

978-0-19-069387-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.01.2024

Herausgeber

Verlag

Oxford University Press

Seitenzahl

752

Maße (L/B/H)

25,1/17,8/6,1 cm

Gewicht

1388 g

Sprache

Englisch

ISBN

978-0-19-069387-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Oxford Handbook of the Phenomenology of Music Cultures
    • Preface

    • Harris M. Berger, Friedlind Riedel, and David VanderHamm

    • Acknowledgments

    • List of Contributors

    • About the Companion Website

    • Section 1. Historical Perspectives and Disciplinary Directions

    • 1. Phenomenological Approaches in the History of Ethnomusicology

    • Harris M. Berger, David VanderHamm, and Friedlind Riedel

    • 2. Carl Stumpf and the Phenomenology of Musical Utterances

    • Julia Kursell

    • 3. Aesthetic Experience, Social Interfaces, and the Phenomenology of Music

    • Roger W. H. Savage

    • 4. The Expressive Culture of Sound Communication among Humans and Other Beings: A Phenomenological and Ecological Approach

    • Jeff Todd Titon

    • Section 2. Memory, Imagination, and Consciousness

    • 5. Listening Beyond Sound and Life: Reflections on Imagined Music

    • J. Martin Daughtry

    • 6. Young People's Lived Experience of Music in Everyday Life: Psychological and Phenomenological Perspectives

    • Ruth Herbert

    • Section 3. Transformations and Possibilities of the Person

    • 7. Sexed Bodies / (Im)Possible Bodies / Polyphonic Bodies

    • Stephen Amico

    • 8. Phenomenology and Habitus in Music Listening

    • Andrew McGuiness

    • 9. Playing and Listening: Phenomenological Hermeneutics and Improvisation

    • Charles Sharp

    • Section 4. Intercorporeality, Perception, and Movement

    • 10. Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill

    • David VanderHamm

    • 11. The Sound of Movement: Hearing Kathak Dance

    • Monica Dalidowicz

    • 12. Scrape, Brush, Flick: The Phenomenology of Sound

    • Katharine Young

    • Section 5. Ontologies

    • 13. Not Just One, Not Just Now: Relational Voices in Time

    • Matthew Rahaim

    • 14. Staging Karma: Cultural Techniques of Transformation in Burmese Musical Drama

    • Friedlind Riedel

    • 15. Intuitive Sensory Presentiation and Recollection: A Phenomenological Interpretation of the Deer Dance

    • Helena Simonett

    • Section 6. Rasa, Affect, Atmosphere

    • 16. Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad K¿rtan Practice

    • Inderjit N. Kaur

    • 17. The Aesthetics of Proximity and the Ethics of Empathy

    • Deborah Kapchan

    • 18. Phenomenological Displacements: Voice, Atmospheric Disturbance, and Mediatized Grief

    • Daniel Fisher

    • Section 7. Ethics of Performance, Ethics of Research

    • 19. Jazz Etiquette: Between Aesthetics and Ethics

    • Alessandro Duranti, Jason Throop, and Matthew McCoy

    • 20. Facing the Musical Other: Alfred Schutz, Emmanuel Levinas, and the Ethnography of Musical Experience

    • Esther Clinton and Jeremy Wallach

    • 21. Artificial Intelligence and Phenomenological Ethnography

    • Ritwik Banerji

    • 22. Ways of the Mind: Toward a Phenomenological Ethnomusicology of Autistic Musical Experience

    • Dotan Nitzberg and Michael B. Bakan

    • Index