Produktbild: The Oxford Handbook of the Global Stage Musical

The Oxford Handbook of the Global Stage Musical

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2023

Abbildungen

123 b/w illustrations

Herausgeber

Robert Gordon + weitere

Verlag

Oxford University Press

Seitenzahl

1000

Maße (L/B/H)

24,4/18,3/9,9 cm

Gewicht

1746 g

Sprache

Englisch

ISBN

978-0-19-090973-4

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.2023

Abbildungen

123 b/w illustrations

Herausgeber

Verlag

Oxford University Press

Seitenzahl

1000

Maße (L/B/H)

24,4/18,3/9,9 cm

Gewicht

1746 g

Sprache

Englisch

ISBN

978-0-19-090973-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Oxford Handbook of the Global Stage Musical
    • Introduction (Robert Gordon and Olaf Jubin)
    • Part I. Theory and praxis
    • 1. Theatre and Globalization: Theoretical and Historical Dimensions (Christopher Balme)
    • 2. Musical Translation and Its Multiple Challenges (Eva Espasa)
    • 3. Training for Writers and Performers (Zachary Dunbar)
    • Part II. Uncharted Territories
    • 4. "Merrily She Waltzes Along": Die lustige Witwe/The Merry Widow as Global Hit (John Koegel)
    • 5. Musicals Travials in the British Empire: South Africa and Australia (David Peimer)
    • 6. My Un-Fair Lady? Celebrity Producer Lars Schmidt and the Post-War International Success of Broadway Shows (Dirk Gindt)
    • Part III. Global Production Entities
    • 7. Paving the way: Cameron Mackintosh and the Development and Impact of the Global Musical (Richard M. Shannon)
    • 8. Extending the Brand to the Stage: the Walt Disney Company (Sanne Thierens/Jeroen van Wijhe)
    • 9. Going Dutch: Stage Entertainment (Jonas Menze)
    • Part IV. Good Neighbours?
    • 10. Canadian Musicals and the Commercial Theatre of Broadway and the West End (Mel Atkey)
    • 11. Musicals in Mexico: Borders and Bridges (Emilio Méndez)
    • 12. Studies in contrast: Chile and Brazil (Tiago Mundim)
    • Part V. Popular in Britain
    • 13. That Special Relationship: Dolores Gray, Mary Martin and Elaine Stritch on the postwar London Stage (Robert Gordon)
    • 14. The Most Beloved American Musical: Guys and Dolls in London (John M. Snelson)
    • 15. Beloved in London, Ignored in New York: Starlight Express and We Will Rock You (David Cottis)
    • Part VI. Popular in Germany/Austria?
    • 16. Kurt Weill's American Works in 21st-century Germany (Judith Wiemers)
    • 17. 'Ev'ry Hotsy Totsy Nazi Stand and Cheer': Cultural Sensitivity to Musicals
    • about the Third Reich (Nils Grosch and Susanne Scheiblhofer)
    • 18. Between Starlight Express and My Fair Lady, Frank Wildhorn and Martin Lingnau: Musicals in Contemporary German-language Theatre (Frédéric Döhl)
    • Part VII. Popular in East Asia
    • 19. The Dream Machine: Takarazuka, Japan's All-Female Musical Theatre Extravaganza (Bud Coleman)
    • 20. The Development Process and Characteristics of the South Korean
    • Musical Market (Yongmin Kwon, Hyeyoung Ra and Kangjoo Cho)
    • 21. The Path and Development of the Chinese Musical (Cai Fangtian)
    • VIII. Sondheim Abroad
    • 22. A Little Night Music in Sweden (Renate Stridh)
    • 23. Pacific Overtures: Varied Perspectives (Gary Perlman)
    • 24. From Fleet Street to Broadway and Back: Stages in the Career of Sweeney Todd (Robert Lawson-Peebles)
    • IX. National Genres of Musical Theatre in Western Europe
    • 25. The French Spectacle Musical (Luca Cerchiari)
    • 26. The German/Austrian 'Drama Musical' or 'I Sing Alone' (Olaf Jubin)
    • 27. The Swedish Folk Musical (Mikael Strömberg)
    • Part X. National Traditions of Musical Theatre in Eastern Europe
    • 28. 'They Dated out of Pure Love': A Brief History of the Czech Musical (Jan Sotkovský)
    • 29. Polish Musical Theatre since the 1960s (Aleksandra Zajac-Kiedysz)
    • 30. Entertainment, Propaganda and/or Resistance: Staging Musicals in Hungary after World War II - István, a király/Stephen, the King (1983) and Beyond (Zoltan Imre)
    • Part XI. Outlook or The Road Ahead
    • 31. 'Braen Nue Dae'? Decolonizing the Musical Theatre Curriculum (Pamela Karantonis)
    • 32. 'Who Tells Your Story': A Reflection on Race-Conscious Casting and the Musical (Hannah Marie Robbins)
    • 33. 'Superboy and the Invisible Girl': The Exclusion of the Female Voice from Global Musical Theatre (Grace Barnes)