• Produktbild: Psychoanalysis and the Small Screen
  • Produktbild: Psychoanalysis and the Small Screen

Psychoanalysis and the Small Screen The Year the Cinemas Closed

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.08.2023

Abbildungen

schwarz-weiss Illustrationen, Zeichnungen, schwarz-weiss

Herausgeber

Carol Owens + weitere

Verlag

Taylor & Francis

Seitenzahl

220

Maße (L/B/H)

23,4/15,6/1,2 cm

Gewicht

340 g

Sprache

Englisch

ISBN

978-1-03-222322-3

Beschreibung

Rezension

"For most film lovers, the turn to the small screen has been something to lament. But Carol Owens and Sarah Meehan O'Callaghan, along with their excellent contributors, show that with something lost, something has also been gained. In a series of illuminating essays, Psychoanalysis and the Small Screen shows us the incredible theoretical riches that the small screen makes evident, riches that the cinematic experience often obscures. For anyone wanting to understand why we are always looking at our screens and for those who want to make sense of our contemporary moment, this is a collection absolutely not to be missed." - Todd McGowan, Professor of Film Studies, University of Vermont.

"Carol Owens and Sarah Meehan O'Callaghan in this compelling collection of essays invite us to reflect on the question of subjectivity once again during the latest pandemic, the year when cinemas closed. Broad in its scope - ranging from socio-cultural studies, philosophy and art to psychoanalysis - the contributors to this collection have provided a new perspective on what shapes our reality in the contemporary techno-mediated world. This collection with a Lacanian focus offers a unique way to explore and investigate different dimensions of the impact of screens on the theory and practice of psychoanalysis." - Berjanet Jazani, M.D, Author, Psychoanalyst, President of The College of Psychoanalysts UK

"In the old days we used to enter into the dark room of a cinema to behold a feast laid out before our eyes, larger than life. This phantasmagoria has now entered into our lives on small screens that consume us. Welcome to the metaverse! Though none of us has a hold, reading this book helps to find the ground only psychoanalysis can begin again to put beneath our feet." - Jamieson Webster, Psychoanalyst, Author, Asst. Professor, New School for Social Research, NYC.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

11.08.2023

Abbildungen

schwarz-weiss Illustrationen, Zeichnungen, schwarz-weiss

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

220

Maße (L/B/H)

23,4/15,6/1,2 cm

Gewicht

340 g

Sprache

Englisch

ISBN

978-1-03-222322-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Psychoanalysis and the Small Screen
  • Produktbild: Psychoanalysis and the Small Screen
  • Series Preface - Ian Parker

    Introduction - Sarah Meehan O'Callaghan and Carol Owens

    1. (In)Continent Topology of Pandemics, Screens, and Scripts
    2. Don Kunze

    3. Digital Tectonics and Cinematic Intimacy: An Epidemiological/Psychoanalytic Perspective
    4. Robert Kilroy

    5. At the Mercy of the Screen: Passivity and its Vicissitudes in a Time of Crisis
    6. Sarah Meehan O'Callaghan

    7. Undine: Siren Screens
    8. Jessica Datema and Manya Steinkoler

    9. Prohibition and Power: Normal People as Pandemic Pornography
    10. Erica Galioto

    11. Weeping on and off Screen - Truth, Falsity, and Art
    12. Miles Link

    13. "The Thing did not Dissatisfy me?" Lacanian Perspectives on Transference and AI-Driven Psychotherapeutic Chatbots
    14. Mike Holohan

    15. The rise of the lathouses: Some consequences for the speaking being and the social bond
    16. Hilda Fernandez-Alvarez

    17. Lacan on the Telly: Psychoanalysis on the Small Screen(s)
    18. Carol Owens and Eve Watson

    19. Power and Politics in Adam Curtis' 'Can't Get you out of my Head: An Emotional History of the Modern World': A Discussion

    Isabel Millar, Brett Nicholls, Rosemary Overell, Daniel Tutt

    Afterword - Olga Cox Cameron