Vor Ort
Merkzettel Warenkorb

Gutscheinbedingungen

**Gültig bis 06.07.2026 auf fremdsprachige Bücher online auf thalia.at, in der Thalia App ab einem Mindestbestellwert von 30€ und in allen Thalia Buchhandlungen in Österreich. In den Buchhandlungen nur gültig auf lagernde Ware. Einzelne Artikel können ausgeschlossen sein. Ausgenommen sind preisgebundene Artikel & eBooks. Pro Einkauf einmal einlösbar. Nur gültig gegen Vorlage oder im Onlineshop hinterlegter Bonuscard. Infos zur Einlösung in der Buchhandlung sind auf der Bonuscard-Vorteilspreisseite zu finden. Click & Collect nur bei Onlinevorabzahlung möglich. Keine Einlösung bei Scan & Go-Bezahlung. Keine Barauszahlung. Nicht kombinierbar mit anderen Aktionen und Gutscheinen. Gutschein wird auf max. 500€ Bestellwert angerechnet. Nicht gültig für Versandkosten und Services.
Produktbild: The Oxford Handbook of Latin Palaeography

The Oxford Handbook of Latin Palaeography

86,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.03.2023

Abbildungen

725 B&W llustrations and 10 color Line illustrations

Verlag

Oxford Academic

Seitenzahl

1076

Maße (L/B/H)

24,9/17/3,8 cm

Gewicht

1542 g

Sprache

Englisch

ISBN

978-0-19-768970-7

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.03.2023

Abbildungen

725 B&W llustrations and 10 color Line illustrations

Verlag

Oxford Academic

Seitenzahl

1076

Maße (L/B/H)

24,9/17/3,8 cm

Gewicht

1542 g

Sprache

Englisch

ISBN

978-0-19-768970-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
  • Produktbild: The Oxford Handbook of Latin Palaeography

    • Forward and Acknowledgements

    • Introduction: Frank T. Coulson, Department of Classics, The Ohio State University

    • A. SCRIPT

    • A.1 Organizing Script

    • 1. Punctuation: Frank T. Coulson, Department of Classics, The Ohio State University

    • 2. Abbreviations: Olaf Pluta, Institut für Philosophie, Ruhr-Universität Bochum

    • 3. Numerals: Charles Burnett, Professor of the History of Islamic Influences on Europe, Warburg Institute

    • A.2 Greco-Roman Heritage

    • 4. Old Roman Cursive: Teresa De Robertis, Dipartimento di Storia,

    • Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 5. New Roman Cursive: Teresa De Robertis, Dipartimento di Storia,

    • Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 6. Square and Rustic Capital: David Wright, The University of California, Berkeley

    • 7. Uncial: Robert G. Babcock, University of North Carolina at Chapel Hill

    • 8. Semi-Uncial: Robert G. Babcock, University of North Carolina at Chapel Hill

    • 9. Greek Scripts in Latin Manuscripts: Walter Berschin, Universität Heidelberg

    • A.3 Early Medieval Hands

    • 10. Beneventan: Francis Newton, Professor of Latin Emeritus, Duke University

    • 11. Visigothic: Jesus Alturo i Perucho, Universitat Autonoma di Barcelona

    • 12. Luxeuil: Paolo Cherubini, Professore ordinario, Università degli Studi di Milano - Bicocca

    • 13. Merovingian Gaul: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame

    • 14. St. Gall and Alemannic: Anna A. Grotans, Department of Germanic Languages and Literatures, The Ohio State University

    • 15. Insular Script: Peter Stokes, King's College, University of London

    • A.4 Carolingian Minuscule

    • 16. Carolingian Minuscule in France and Germany: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame

    • 17. Early Carolingian Minuscule in Italy: Simona Gavinelli, Università Cattolica del S. Cuore, Milano

    • 18. Late Carolingian Minuscule in Italy: Mirella Ferrari, Università Cattolica del S. Cuore, Milano

    • 19. Tironian Notes: David Ganz, Visiting Professor of Palaeography, The Medieval Institute, The University of Notre Dame

    • A.5 Gothic

    • 20. Nomenclature of Gothic Scripts: Albert Derolez Emeritus Professor at the Free Universities of Brussels

    • 21. French Gothic: Marie-Hélène Tesnière, Conservateur général au département des Manuscrits de La Bibliothèque nationale de France (Translated from the French by Frank T. Coulson)

    • 22. Early English Gothic: Richard Gameson, Durham University

    • 23. Later English Gothic: Pamela Robinson, University of London

    • 24. German Gothic: Karl-Georg Pfaendtner, Bayerische Staatsbibliothek, München

    • 25. Early Italian Gothic: Stefano Zamponi, Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 26. Late Italian Gothic: Stefano Zamponi, Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 27. Late Dutch Gothic: J.P. Gumbert, Professor Emeritus, Leiden University

    • 28. Czech Republic: Hana Patkova, Charles University, Prague

    • 29. Hungary and Slovakia: Juraj Sedivý, Comenius-University in Bratislava / Faculty of Arts (Translated from the German by Anna A. Grotans and Robert G. Babcock)

    • 30. Interaction of Script and Print: Paul Needham, Scheide Librarian, Princeton University

    • A.6 Humanist

    • 31. Origins of Humanist Script: Teresa De Robertis, Dipartimento di Storia,

    • Archeologia, Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 32. Italian Humanist: Teresa De Robertis, Dipartimento di Storia, Archeologia,

    • Geografia, Arte, Spettacolo - Università di Firenze (Translated from the Italian by Consuelo Dutschke)

    • 33. Byzantium and the West: Marianne Pade, Director, Danish Academy in Rome

    • A.7

    • 34. The Waning of Manuscript Production: B. Gregory Hays, Department of Classics, University of Virginia

    • B. MATERIAL EMBODIMENT AND TECHNIQUES

    • 35. Stages of Manuscript Production: Lucien Reynhout, Curator at the Department of Manuscripts Royal Library of Belgium, Brussels, Belgium

    • 36. Stages in Diplomatic Production: Olivier Guyotjeannin, Directeur d'études à l'École nationale des chartes, Paris (Translated from the French by Robert G. Babcock and Frank T. Coulson)

    • 37. Mise-en-page: Marie Hélène Tesnière, Conservateur général au département des Manuscrits de La Bibliothèque nationale de France (Translated from the French by Frank T. Coulson)

    • 38. Format of Books: J.P. Gumbert, Professor Emeritus, Leiden University

    • 39. Format of Documents: Olivier Guyotjeannin, Directeur d'études à l'École nationale des chartes (Paris) (Translated from the French by Robert G. Babcock and Frank T. Coulson)

    • 40. Quantitative Codicology: Ezio Ornato, CNRS, Paris (Translated from the French by Robert G. Babcock and Frank T. Coulson)

    • 41. Comparative Codicology: Malachi Beit-Arié, Professor Emeritus of Codicology and Palaeography, The Hebrew University of Jerusalem

    • 42. Pen Flourishing: Alison Stones, Professor Emeritus, University of Pittsburgh

    • C. CULTURAL SETTING

    • 43. Orality and Visible Culture: Paul Saenger, Newberry Library, Chicago

    • 44. Who Were the Scribes: Alison Beach, Department of History, The Ohio State University

    • 45. Book Trade: Antiquity and the Early Middle Ages: Guglielmo Cavallo, Accademia Nazionale dei Lincei, Roma

    • 46. Book Trade: Central, High and Late Middle Ages: Kouky Fianu, Université d'Ottawa/University of Ottawa

    • D. SELECTED SCRIPTORIA AND LIBRARIES

    • 47. An Overview: Donatella Nebbiai, Institut de recherche et d'histoire des textes, Paris (Translated from the French by Frank T. Coulson)

    • 48. Lindisfarne: Michelle P. Brown FSA, Professor Emerita, SAS, University of London

    • 49. Northern Italy in the 7th and 8th Centuries: Paolo Cherubini, Professore ordinario, Università degli Studi di Milano - Bicocca

    • 50. Insular Script in its Cultural Context: Michelle P. Brown, FSA, Professor Emerita, SAS, University of London

    • 51. Montecassino: Francis Newton, Professor of Latin Emeritus, Duke University

    • 52. St. Gall: Anna A. Grotans, Department of Germanic Languages and Literatures, The Ohio State University

    • 53. University of Paris: Richard and Mary Rouse, University of California, Los Angeles

    • 54. Salisbury Cathedral Library: Teresa Webber, Trinity College, Cambridge

    • 55. Florence: Xavier van Binnebeke, Bodleian Library, Oxford

    • E. VARIETIES OF BOOK USAGE

    • 56. Books of Hours: Rowan Watson. Senior Curator, National Art Library, Word and Image Department, Victoria and Albert Museum

    • 57. Law: Susan L'Engle, Center for Medieval and Renaissance Studies, St. Louis University

    • 58. The Manuscript Miscellany: George Rigg, Professor Emeritus, University of Toronto

    • 59. Florilegia: Jacqueline Hamesse, Professor Emerita, L'Université catholique de Louvain

    • 60. Theological Texts: Lesley Smith, Professor of Medieval Intellectual History, University of Oxford, Fellow in Politics and Senior Tutor, Harris Manchester College

    • 61. Gloss and Text: Greti Dinkova-Bruun, Pontifical Institute of Mediaeval Studies, Toronto

    • 62. Glossaries and Grammars: Patrizia Lendinara, Dipartimento Culture e Società, Università di Palermo

    • 63. The History of Manuscripts since 1500: B. Gregory Hays, Department of Classics, University of Virginia

    • 64. Manuscript Cataloguing: Consuelo Dutschke, Columbia University