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  • Produktbild: A History of Early Film V3
  • Produktbild: A History of Early Film V3

A History of Early Film V3

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

19.09.2023

Herausgeber

Herbert Stephen

Verlag

Taylor & Francis

Seitenzahl

534

Maße (L/B/H)

24,6/17,4/2,9 cm

Gewicht

940 g

Sprache

Englisch

ISBN

978-1-03-251341-6

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

19.09.2023

Herausgeber

Herbert Stephen

Verlag

Taylor & Francis

Seitenzahl

534

Maße (L/B/H)

24,6/17,4/2,9 cm

Gewicht

940 g

Sprache

Englisch

ISBN

978-1-03-251341-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A History of Early Film V3
  • Produktbild: A History of Early Film V3

  • 1. 'A Plea for the Long Film' L. Stanford Cook, The Bioscope, 12 October 1911 2. 'Interview with the Dramatic Critic of the Morning and Evening 'Standard' The Bioscope, 26 October 1911 3. 'The Picture of Crowd Splendor' Vachel Lindsay, The Art of the Moving Picture (1915) 4. 'Education and the Bioscope' The Bioscope, 11 February 1909 5. 'Will Moving Pictures Prevent War?' The Bioscope, 12 October 1911 6. 'The Cinematograph in Church' Amateur Photographer, 19 August 1912 7. 'Sacred Films' Amateur Photographer, 11 November 1912 8. Focussing the Universe, Montagu A. Pyke (n.d. c. 1910) 9. The Child and the Cinematograph Show and the Picture Post-Card Evil, with a note on the cinematograph by the Headmaster of Eton, Canon Hardwicke Drummond Rawnsley (1913) 10. Picture Postcard (drawing): Special Charley [sic] Chaplin Film: The Girlies Go to the Picture Show Because They Like a Lark - and if they've got a boy with them it's 'thumbs up in the dark' 11. Picture Postcard (drawing): Couple in Cinema: 'What Could be Nicer?' 12. Picture Postcard (photograph): Man and Two Women in a Studio 'Cinema' Setting: 'One meets Such Nice Girls at the Picture Palace!' 13. Picture Postcard (photograph): Two Couples in a Studio 'Cinema' Setting: 'At the Cinema' 14. The Cinema: Its Present Position and Future Possibilities Being the Report of and Chief Evidence Taken by the Cinema Commission of Inquiry, Instituted by the National Council of Public Morals (1917).