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In the Shadow of The Birth of a Nation Racism, Reception and Resistance

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.03.2023

Abbildungen

XVIII, 310 p. 32 illus., 25 illus. in color.

Herausgeber

Melvyn Stokes + weitere

Verlag

Springer

Seitenzahl

310

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

499 g

Auflage

2023

Sprache

Englisch

ISBN

978-3-031-04736-7

Beschreibung

Portrait


Melvyn Stokes is Professor of Film History, University College London, UK. He is the author of D. W. Griffith’s “
The Birth of a Nation
”:
A History of “The Most Controversial Movie of All Time”
(2007) and several articles on D. W. Griffith, including “Race, Politics and Censorship: D. W. Griffith’s
The Birth of a Nation
in France, 1916−1923” (Cinema Journal, 2010). In 2015, he was the curator for the British Film Institute’s D. W. Griffith season. He has published 2 other books –
Gilda
(Palgrave/BFI, 2010) and
American History through Hollywood Film
(2013) – and edited a further 12



Paul McEwan
is Professor of Media and Communication and Film Studies at Muhlenberg College, USA. He is the author of
The Birth of a Nation
(Palgrave/BFI, 2015),
Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture
(2022) and several articles and chapters on D. W. Griffith, including “The Legacyof Intolerance” in
A Companion to D. W. Griffith
(2018). He is also the author of
Bruce McDonald’s Hard Core Logo
(2011) and other essays on Canadian cinema.



Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

15.03.2023

Abbildungen

XVIII, 310 p. 32 illus., 25 illus. in color.

Herausgeber

Verlag

Springer

Seitenzahl

310

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

499 g

Auflage

2023

Sprache

Englisch

ISBN

978-3-031-04736-7

Herstelleradresse

Springer-Verlag GmbH
Europaplatz 3
69115 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: In the Shadow of The Birth of a Nation
  • Produktbild: In the Shadow of The Birth of a Nation

  • Chapter 1: The Architects of The Birth of a Nation: Thomas Dixon, Jr. and David Wark Griffith.- Chapter 2: Blackface, Disguise and Invisibility in the Reception of The Birth of a Nation.- Chapter 3: The Birth of a Nation's “melodrama of pathos and action” : a tale of “national rebirth”.- Chapter 4: The Battle of Petersburg: Griffith’s “big scenes”.- Chapter 5: The Birth of a Nation Footage We Do Not Want to Find.- Chapter 6: Fixing The Birth of a Nation?: Hampton Institute and The New Era.- Chapter 7: A Most Serious Loss in Business”: Race, Citizenship and Protest in New Haven, Connecticut.- Chapter 8: Resisting The Birth of a Nation in Virginia.- Chapter 9: "At this time in this city”: Black Atlanta and the Premiere of The Birth of a Nation.- Chapter 10: The Meaning of Emancipation: African American Memory as a Challenge to The Birth of a Nation.- Chapter 11: Transatlantic “Structural Amnesia”: The Birth of A Nation in Britain 1915-16.- Chapter 12: Black Horror on the Rhine”: D. W. Griffith's The Birth of a Nation and the French-occupied Rhineland after World War I.- Chapter 13: The Influence of The Birth of a Nation on South Africa: Film Culture and Race.- Chapter 14: “Should it Not Therefore Be Banned?”: Screening and Broadcasting The Birth of a Nation in Britain.- Chapter 15: “Still a North and a South”: The Birth of a Nation and National Trauma.