• Produktbild: Dark Green
  • Produktbild: Dark Green
Band 114

Dark Green Irish Crime Fiction 1665-2000

Aus der Reihe Reimagining Ireland

54,40 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.09.2022

Herausgeber

Eamon Maher

Verlag

Peter Lang Ltd. International Academic Publishers

Seitenzahl

440

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

648 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-80079-826-7

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.09.2022

Herausgeber

Eamon Maher

Verlag

Peter Lang Ltd. International Academic Publishers

Seitenzahl

440

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

648 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-1-80079-826-7

EU-Ansprechpartner

Zeitfracht Medien GmbH
Ferdinand-Jühlke-Straße 7
99095 Erfurt
DE
produktsicherheit@zeitfracht.de

Herstelleradresse

Peter Lang
Avenue du Théâtre 7
1005 Lausanne
CH
orders@peterlang.com

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  • Produktbild: Dark Green
  • Produktbild: Dark Green
  • Contents: 'that my Thefts might pafs undifcovered.' Picaresque, Rogue Tales, Broadsheets and Newgate Calendars - 'The peasantry of Ireland have, for centuries, been at war with the laws by which they are governed.' The Early Nineteenth Century - 'Wherever reserve exists there is mystery, and wherever mystery - guilt.' Le Fanu and the Gothic Crime Mystery - 'Reader, you have seen the singular and extraordinary circumstances connected with the handkerchief, the sledge, and the sack.' Sensation and Mystery Fiction - 'A history of crime seemed to be written on both their faces.' L. T. Meade and End of Century Detection - 'I just go by the rule of thumb, and muddle and puzzle out my cases as best I can.' Detection and Mystery at the Turn of the Century - 'Too sharp to be absolutely wholesome.' The Golden Age I: Freeman Wills Crofts - 'A deceptive air of docility.' The Golden Age II: Nicholas Blake and Mrs Victor Rickard - 'Among the poor the police are never regarded as the upholders of the common law, but as agents of the rich to oppress those without property.' Post-Revolutionary Ireland - 'A kind of private eye and general trouble-shooter.' Irish Hard-Boiled and Pulp - 'Not too quiet for crime.' Irish Crime Fiction in the Mid-Twentieth Century I - 'The law after all is just a machine that suspects everyone on general principles.' Irish Crime Fiction in the Mid-Twentieth Century II - 'His father had been on the wrong side in the Civil War.' Irish Spy Fiction in the 1960s and 1970s - 'Being Irish, you had a certain innate guile that allowed you to think like a criminal and keep one step ahead of them.' Irish Crime Writing in the 1970s and 1980s - 'It was the virus of my country's illness that felled him.' Northern Ireland - 'The authority to dispose of anyone who stands in my way.' The 1980s and Early 1990s - 'A surly-looking cop lounging at the security desk.' Northern Irish Crime Fiction in the 1990s - 'Technically a private investigator.' Thrillers and the Diversity of Irish Crime Writing in the 1990s - 'People loved reading about crime in Ireland.' The Police and Private Detective Novel in the 1990s - 'Killers who chop up their victims, that's all very American, or at the very least English. In Ireland it would only happen by accident, like most things.' Towards the New Millennium.