Produktbild: Tyler, A: French Braid

Tyler, A: French Braid

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Beschreibung

Produktdetails

Verkaufsrang

24565

Einband

Taschenbuch

Erscheinungsdatum

30.06.2022

Verlag

Random House LLC US

Seitenzahl

256

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

406 g

Farbe

Graugrün / Weiß

Sprache

Englisch

ISBN

978-1-5247-1216-7

Beschreibung

Rezension

An NPR Best Book of the Year

French Braid is a moving meditation on the passage of time . . . Five decades into her career, one gets the sense that Tyler is no longer quite so interested in the details. Instead, French Braid offers something subtler and finer, the long view on family . . . For all its charm, French Braid is a quietly subversive novel, tackling fundamental assumptions about womanhood, motherhood and female aging. Jennifer Haigh, New York Times Book Review (cover)
 
Brilliant . . . Captivating . . . The rich melody of French Braid offers the comfort of a beloved hymn . . . In novel after novel, Tyler catches the mingled strains of affection and exasperation that tie a family together, the love that persists somewhere between laughing and singing. Ron Charles, Washington Post
 
  If Anne Tyler isn t the best writer in the world, who is? BBC Radio 4 Woman s Hour

Tyler s gift is that each story, each character is distinct, even as she builds on themes from one book to the next. NPR/All Things Considered

French Braid proves once again that nobody can write about small family moments quite like she can. Real Simple

Few writers are so widely loved and respected as the creator of family novels, a genre Tyler has perfected . . . Her fans will be delighted . . . This is Tyler at her most Tyler-ish. The Times (London)
 
Lovely . . . The characters hopes and struggles are relatable, and the novel shines with Tyler s signature compassion and comfort. TIME

Any Tyler book is a gift . . . Thoroughly enjoyable . . . Funny, poignant, generous, not shying away from death and disappointment but never doomy or overwrought, it suggests there s always new light to be shed, whatever the situation, with just another turn of the prism. Observer

The wonder of French Braid is the easygoing fluidity with which Tyler jumps and floats between characters and decades to create what in the end is a deftly crafted family portrait that spans some 70 years . . . We read in fascination. Christian Science Monitor

French Braid is a family saga of uncommon subtlety and grace, a novel which shows that, at 80, Anne Tyler is still amongst the very best writers around. The Spectator

Tender and acute . . . French Braid is a novel full of compassion for the human condition by a writer confident enough not to pin everything down and to trust her story to work its quiet magic. Financial Times

Full of piercing observation. Minneapolis Star Tribune

Subtle and powerful . . . A multi-layered and masterly exercise in sympathy and understanding. Times Literary Supplement

A beautiful novel of family life as it unfolds over the years . . . There are many authors today who try to emulate her technique, but none of them comes close to the lightness of touch, the accuracy of her ear, or the profundity of her vision . . . Perhaps [her novels] will eventually come to be seen as one vast, panoramic portrait of life in one particular place, at one particular time, as accurate and resonant as similar series by Balzac or Trollope. Daily Mail

Enchanting . . . Though centered in Baltimore, the story nonetheless reaches out beyond it, just as the characters, deceivingly simple, reveal truths about life that are anything but. Washington City Paper

Lushly imagined, psychologically intricate, virtually inhalable . . . At every leap, Tyler balances gracefully between tenderness and piquant humor, her insights into human nature luminous. Tyler is a phenomenon, each of her novels feels fresh and incisive, and this charming family tale will be honey for her fans. Booklist (starred)

Well-crafted . . . Affecting . . . As always, Tyler offers both comfort and surprise. Publishers Weekly

Entrancing . . . Nobody writes better about families than Anne Tyler . . . She has the lightest touch . . . Tyler has that rare ability to do much with what seems little, to bring the ordinary and usually unregarded lives of ordinary people to life and make them matter. The Scotsman

More lovely work from Tyler, still vital and creative . . . In her 24th novel, Tyler once again unravels the tangled threads of family life. This familiar subject always seems fresh in her hands because Tyler draws her characters and their interactions in such specific and revealing detail . . . [She] understands that the domestic world can contain the universe. Kirkus Reviews

Produktdetails

Verkaufsrang

24565

Einband

Taschenbuch

Erscheinungsdatum

30.06.2022

Verlag

Random House LLC US

Seitenzahl

256

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

406 g

Farbe

Graugrün / Weiß

Sprache

Englisch

ISBN

978-1-5247-1216-7

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  • Miss.mesmerized

    5/5

    20.03.2022

    Buch (Gebundene Ausgabe)

    Anne Tyler - French Braid

    It is coincidental encounter at a station: Serena sees a young man and is not sure if he’s her cousin. Her boyfriend cannot believe this, how can she not know her own cousin? Well, family matters have never been easy with the Garretts. Robin and Mercy have married at a young age, their two daughters Alice and Lily could hardly be more different from each other and their son David, a couple of years younger than the girls, even as a boy, was rather withdrawn. As the years pass by, the kids get older and independent, have their own families, make mistakes, Mercy follows her artistic works and drifts apart from Robin. It is only rare events that bring the whole family together for brief moments, but then, they remain on the surface and the important things are left unsaid. Anne Tyler has been writing books for almost six decades, but I have only come to detect her work a couple of years ago. What I liked from the start was her relaxed tone which takes life just as it is, acknowledging the ups and downs, knowing that the show has to go on. Her latest novel, too, “French Braid” is wonderfully narrated capturing the small but decisive moments. It is the portrait of a family, not the totally average one but nevertheless one that could just live next door to you. Again, Tyler finds the interesting points in those at the first glance totally average lives. “What’s the name of that braid that starts high up on little girls’ heads?” David asked Greta one night (...) “Oh a French braid,” Greta said. “That’s it. And then when she undid them, her hair would still be in ripples, little leftover squiggles, for hours and hours afterwards. “ “Yes...” “Well,” David said, “That’s how families work, too. You think you’re free of them, but you’re never really free; the ripples are crimped in forever.” None of the Garretts have ever been close, not even the married couples, but nevertheless, they are family and therefore gather from time to time. They may not even like each other, but they like to stay informed. Some of them try to break out, especially the women, but just like the French braid, they cannot really free themselves, some things just stick. Anne Tyler surely is a most accomplished writer, how else would it be possible to totally enjoy a novel and at the same time feel a little bit uncomfortable due to the extent you can recognise yourself in her writing. She does not focus on the exceptional, the outstanding, but finds the aspects worth mentioning in the ordinary, in the well-known and hardly ever actually noticed. It is with her soft voice and quite narration that she hints at what you should look at and think about. Another though-provoking, simply marvellous novel.

  • Bewertung

    aus Mainz

    5/5

    20.03.2022

    Buch (Gebundene Ausgabe)

    It is coincidental encounter…

    It is coincidental encounter at a station: Serena sees a young man and is not sure if he’s her cousin. Her boyfriend cannot believe this, how can she not know her own cousin? Well, family matters have never been easy with the Garretts. Robin and Mercy have married at a young age, their two daughters Alice and Lily could hardly be more different from each other and their son David, a couple of years younger than the girls, even as a boy, was rather withdrawn. As the years pass by, the kids get older and independent, have their own families, make mistakes, Mercy follows her artistic works and drifts apart from Robin. It is only rare events that bring the whole family together for brief moments, but then, they remain on the surface and the important things are left unsaid. Anne Tyler has been writing books for almost six decades, but I have only come to detect her work a couple of years ago. What I liked from the start was her relaxed tone which takes life just as it is, acknowledging the ups and downs, knowing that the show has to go on. Her latest novel, too, “French Braid” is wonderfully narrated capturing the small but decisive moments. It is the portrait of a family, not the totally average one but nevertheless one that could just live next door to you. Again, Tyler finds the interesting points in those at the first glance totally average lives. “What’s the name of that braid that starts high up on little girls’ heads?” David asked Greta one night (...) “Oh a French braid,” Greta said. “That’s it. And then when she undid them, her hair would still be in ripples, little leftover squiggles, for hours and hours afterwards. “ “Yes...” “Well,” David said, “That’s how families work, too. You think you’re free of them, but you’re never really free; the ripples are crimped in forever.” None of the Garretts have ever been close, not even the married couples, but nevertheless, they are family and therefore gather from time to time. They may not even like each other, but they like to stay informed. Some of them try to break out, especially the women, but just like the French braid, they cannot really free themselves, some things just stick. Anne Tyler surely is a most accomplished writer, how else would it be possible to totally enjoy a novel and at the same time feel a little bit uncomfortable due to the extent you can recognise yourself in her writing. She does not focus on the exceptional, the outstanding, but finds the aspects worth mentioning in the ordinary, in the well-known and hardly ever actually noticed. It is with her soft voice and quite narration that she hints at what you should look at and think about. Another though-provoking, simply marvellous novel.

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