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Produktbild: Art History For Dummies, 2nd Edition

Art History For Dummies, 2nd Edition

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.06.2022

Verlag

John Wiley & Sons

Seitenzahl

448

Maße (L/B/H)

27/21,5/2,1 cm

Gewicht

1226 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-119-86866-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.06.2022

Verlag

John Wiley & Sons

Seitenzahl

448

Maße (L/B/H)

27/21,5/2,1 cm

Gewicht

1226 g

Auflage

2. Auflage

Sprache

Englisch

ISBN

978-1-119-86866-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Art History For Dummies, 2nd Edition
  • Introduction 1

    About This Book 1

    Foolish Assumptions 2

    Icons Used in This Book 2

    Beyond the Book 2

    Where to Go from Here 3

    Part 1: Getting Started with Art History 5

    Chapter 1: Art Tour through the Ages 7

    Connecting Art Divisions and Culture 8

    It's Ancient History, So Why Dig It Up? 8

    Mesopotamian period (3500 bc-500 bc) and Egyptian period (3100 bc-332 bc) 9

    Ancient Greek period (c 850 bc-323 bc) and Hellenistic period (323 bc-32 bc) 9

    Roman period (300 bc-ad 476) 9

    Did the Art World Crash When Rome Fell, or Did It Just Switch Directions? 10

    Byzantine period (ad 500-ad 1453) 10

    Islamic period (seventh century+) 10

    Medieval period (500-1400) 10

    High Renaissance (1495-1520) and Mannerism (1530-1580) 10

    Baroque period (1600-1750) and Rococo period (1715-1760s) 11

    In the Machine Age, Where Did Art Get Its Power? 11

    Neoclassicism (1765-1830) 11

    Romanticism (late 1700s-early 1800s) 11

    The Modern World and the Shattered Mirror 12

    Responding to modern pressures 12

    Conceptualizing the craft 13

    Expressing mixed-up times 13

    Chapter 2: Why People Make Art and What It All Means 15

    Focusing on the Artist's Purpose 15

    Recording religion, ritual, and mythology 15

    Promoting politics and propaganda 16

    When I say jump: Art made for patrons 16

    Following a personal vision 17

    Detecting Design 17

    Perceiving pattern 17

    Rolling with the rhythm 17

    Weighing the balance 17

    Looking for contrast 18

    Examining emphasis 18

    Decoding Meaning 19

    The ABCs of visual narrative 19

    Sorting symbols 19

    Chapter 3: The Major Artistic Movements 21

    Distinguishing an Art Period from a Movement 21

    Tracking Major 19th-Century Art Movements 22

    Realism (1840s-1880s) 22

    Impressionism (1869-late 1880s) 22

    Post-Impressionism (1886-1892) 22

    Moving Off the Rails in the 20th Century 23

    Fauvism and Expressionism 23

    Cubism, Futurism, Dada, and Surrealism 24

    Abstract Expressionism (1946-1950s) 25

    Pop Art (1960s) 25

    Conceptual art, performance art, and feminist art (late 1960s-1970s) 25

    Postmodernism (1970-) 25

    Part 2: From Caves to Colosseum: Ancient Art 27

    Chapter 4: Magical Hunters and Psychedelic Cave Artists 29

    Cool Cave Art or Paleolithic Painting: Why Keep It a Secret? 30

    Hunting on a wall 31

    Psychedelic shamans with paintbrushes 31

    Flirting with Fertility Goddesses 32

    Dominoes for Druids: Stonehenge, Menhirs, and Neolithic Architecture 33

    Living in the New Stone Age: Çatalhöyük, Göbekli Tepe, and Skara Brae 33

    Cracking the mystery of the megaliths and menhirs 34

    Chapter 5: Fickle Gods, Warrior Art, and the Birth of Writing: Mesopotamian Art 37

    Climbing toward the Clouds: Sumerian Architecture 38

    Zigzagging to Heaven: Ziggurats 38

    The Tower of Babel 39

    The Eyes Have It: Scoping Out Sumerian Sculpture 39

    Worshipping graven images 40

    Stare-down with God: Statuettes from Abu Temple 40

    Playing Puabi's Lyre 41

    Unraveling the Standard of Ur 42

    Stalking Stone Warriors: Akkadian Art 43

    Stamped in Stone: Hammurabi's Code 43

    Unlocking Assyrian Art 44

    Babylon Has a Baby: New Babylon 45

    Chapter 6: One Foot in the Tomb: Ancient Egyptian Art 47

    Ancient Egypt 101 48

    Segmenting the Egyptian periods 48

    Thanking the Nile 49

    The Art of a Unified Egypt 49

    Depicting the unification 49

    Noting art as history in the Palette of Narmer 50

    The Egyptian Style: Proportion and Orientation 51

    Excavating Old Kingdom Architecture 52

    Early mastabas and step pyramids 52

    Turning to stone 53

    Making the architecture great 53

    Spending life preparing for death 54

    The In-Between Period and Middle Kingdom Realism 55

    New Kingdom Art 56

    Hatshepsut: A female phenom 56

    Akhenaten and Egyptian family values 56

    Raiding King Tut's tomb treasures 58

    Admiring the world's most beautiful dead woman's tomb 59

    Decoding Books of the Dead 59

    Too-big-to-forget sculpture 61

    Chapter 7: Greek Art, the Olympian Ego, and the Inventors of the Modern World 63

    Mingling with the Minoans: Snake Goddesses, Minotaurs, and Bull Jumpers 64

    Greek Sculpture: Stark Symmetry to a Delicate Balance 66

    Kouros to Kritios Boy 66

    Golden Age sculptors: Myron, Polykleitos, and Phidias 68

    Fourth-century sculpture 70

    Figuring Out Greek Vase Painting 71

    Cool stick figures: The geometric style 71

    Black-figure and red-figure techniques 72

    Rummaging through Ruins: Greek Architecture 73

    Greece without Borders: Hellenism 76

    Sculpting passion and struggle 76

    Honoring the classical in a new world 77

    Chapter 8: Etruscan and Roman Art: It's All Greek to Me! 79

    The Mysterious Etruscans 79

    Temple to tomb: Greek influence 79

    Smiles in stone: The eternally happy Etruscans 80

    Infusing Art with Roman Influence 80

    Linking the territory that was Rome 82

    Art as mirror: Roman realism and

    Republican sculptural portraits 82

    Progressing on to propaganda 83

    Shirking idealism for authenticity 84

    Realism in painting 85

    Roman mosaics 86

    Revealing Roman Architecture: A Marriage of Style and Engineering 87

    Temple of Portunus 87

    Maison Carrée 88

    Roman aqueducts 88

    The Colosseum 88

    The Pantheon 90

    Part 3: Art after the Fall of Rome: ad 500-ad 1760 93

    Chapter 9: The Graven Image: Early Christian, Byzantine, and Islamic Art 95

    The Rise and Fall of Constantinople 95

    Christianizing Rome 96

    After the fall: Divisions and schisms 96

    Early Christian Art in the West 96

    Rejecting paganism 97

    Drawing on Roman art and culture 97

    Byzantine Art Meets Imperial Splendor 98

    Justinian and Early Byzantine architecture 98

    Amazing mosaics: Puzzle art 100

    San Vitale: Justinian and Theodora mosaics 101

    The mosaics of St Mark's Basilica, Venice, Italy (Middle Byzantine) 103

    Icons and iconoclasm 103

    Islamic Art: Architectural Pathways to God 106

    The Mosque of Córdoba 107

    The dazzling Alhambra 109

    A temple of love: The Taj Mahal 110

    Chapter 10: Mystics, Marauders, and Manuscripts: Medieval Art 113

    Irish Light: Illuminated Manuscripts 114

    A unique Christian mission 114

    Browsing the Book of Kells, Lindisfarne Gospels, and other manuscripts 114

    Drolleries and the fun style 116

    Charlemagne: King of His Own Renaissance 117

    Weaving and Unweaving the Battle of Hastings: The Bayeux Tapestry 117

    Providing a battle blueprint 117

    Portraying everyday life in medieval England and France 118

    Peddling political propaganda 119

    Making border crossings 119

    Romanesque Architecture: Churches That Squat 120

    St Sernin 120

    Durham Cathedral 121

    Romanesque Sculpture 122

    Nightmares in stone: Romanesque relief 123

    Roman sculpture revival 123

    Relics and Reliquaries: Miraculous Leftovers 123

    Gothic Grandeur: Churches That Soar 125

    Building a church-and-state alliance 125

    Bigger and brighter 125

    Making something new from old parts 126

    Finishing touches and voilà! 127

    Expanding the Gothic dream 127

    Stained-Glass Storytelling 127

    Gothic Sculpture 128

    Italian Gothic 129

    Gothic Painting: Cimabue, Duccio, and Giotto 130

    Cimabue 130

    Duccio 132

    Giotto 133

    Tracking the Lady and the Unicorn: The Mystical Tapestries of Cluny 134

    Themes of love and desire? 134

    Themes with religious connotation? 135

    The questions remain 136

    Chapter 11: Born-Again Culture: The Early and High Renaissance 137

    The Early Renaissance in Central Italy 138

    The Great Door Contest: Brunelleschi versus Ghiberti - And the winner is! 138

    The Duomo of Florence 139

    Vanishing points and perspective 140

    Sandro Botticelli: A garden-variety Venus 144

    Donatello: Putting statues back on their feet 145

    The High Renaissance 146

    Reviving self-respect 146

    Elevating humanity in art 147

    Leonardo da Vinci: Renaissance man 147

    Leonardo's techniques 147

    Leonardo's greatest works 148

    Michelangelo: The main man 150

    Michelangelo's greatest works 152

    Raphael: The prince of painters 153

    Chapter 12: Venetian Renaissance, Late Gothic, and the Renaissance in the North 157

    A Gondola Ride through the Venetian Renaissance 158

    First stop, Bellini 158

    A shortcut to Mantegna and Giorgione 160

    Dürer's Venice vacations 161

    Touring the 16th century with Titian 162

    The Venice of Veronese 164

    Tintoretto and Renaissance ego 165

    La Tintoretta: Marietta Robusti 166

    Palladio: The king of classicism 167

    Late Gothic: Northern Naturalism 168

    Jan van Eyck: The Late Gothic ace 168

    Rogier van der Weyden: Front and center 169

    Northern Exposure: The Renaissance in the Netherlands and Germany 172

    Decoding Bosch 172

    Deciphering the dark symbolism of Grünewald 174

    Dining with Bruegel the Elder 175

    Chapter 13: Art That'll Stretch Your Neck: Mannerism 177

    Detecting the Non-Rules of Mannerism 177

    Pontormo: Front and Center 178

    Bronzino's Background Symbols and Scene Layering 179

    Parmigianino: He's Not a Cheese! 180

    Contrasting proportions and balance 181

    A surreal feel 181

    Arcimboldo: À la Carte Art 182

    Sofonisba Anguissola (1532-1625): Invading Art History's Guys' Club 183

    Finding a place in the Spanish court 183

    Rubbing elbows with the court painters 184

    El Greco: Stretched to the Limit 185

    Evolving a unique Mannerist style 185

    Drawing inspiration from mysticism 185

    How unappreciated was El Greco? 186

    Lavinia Fontana: The First Professional Female Painter 187

    Applying a rich education and broad network 187

    Supplying the missing female storyline 187

    Endowing Jesus with more humanity 188

    Finding Your Footing in Giulio Romano's Palazzo Te 189

    Architectural surprises outside 190

    An inside to die for 190

    Chapter 14: When the Renaissance Went Baroque 193

    Baroque Origin, Purpose, and Style 194

    Annibale Carracci: Heavenly Ceilings 194

    Shedding Light on the Subject: Caravaggio and His Followers 195

    Elements of Caravaggio style 195

    Caravaggio style applied 196

    Orazio Gentileschi: Baroque's gentle side, more or less 197

    Shadow and light dramas: Artemisia Gentileschi 197

    Elisabetta Sirani and an Art School for Women 199

    Sirani's notable career 199

    Portraying brave and capable women 200

    The Ecstasy and the Ecstasy: Bernini Sculpture 202

    Embracing Baroque Architecture 203

    Maderno and the launch of Baroque architecture 203

    Bernini: Transforming St Peter's Basilica 203

    Baroque style migrates northward 204

    Fischer: Harmonizing Baroque style 204

    Dutch and Flemish Realism 205

    Rubens: Fleshy, flashy, and holy 206

    Rembrandt: Self-portraits and life in the shadows 207

    Laughing with Hals 209

    Bold Strokes: Judith Leyster 209

    Vermeer: Musicians, maids, and girls with pearls 212

    French Flourish and Baroque Light Shows 213

    Poussin the Perfect 213

    Candlelit reverie and Georges de La Tour 213

    Versailles: Architecture as propaganda and the Sun King 214

    In the Limelight with Caravaggio: The Spanish Golden Age 215

    Ribera and Zurbarán: In the shadow of Caravaggio 215

    Velázquez: Kings and princesses 216

    Chapter 15: Going Loco with Rococo 219

    What You Get in Rococo Art 220

    Breaking with Baroque: Antoine Watteau 221

    Fragonard and Boucher: Lush, Lusty, and Lavish 222

    François Boucher 222

    Jean-Honoré Fragonard 222

    Flying High: Giovanni Battista Tiepolo 223

    Rococo Lite: The Movement in England 223

    William Hogarth 224

    Thomas Gainsborough 224

    Sir Joshua Reynolds 226

    Part 4: The Industrial Revolution Revs Up Art's Evolution: 1760-1900 229

    Chapter 16: All Roads Lead Back to Rome and Greece: Neoclassical Art 231

    When Philosophers and Artists Join Forces 232

    The promotion of reason 232

    Enlightened views and political progress 232

    Angelica Kauffman: The Queen of Neoclassicism 233

    Focusing on women and brother- or sisterhood 233

    Not everyone loved the depictions 235

    Jacques-Louis David: The King of Neoclassicism 235

    Grand, formal, and retro 236

    Propagandist for all sides 237

    Jean Auguste Dominique Ingres: The Prince of Neoclassical Portraiture 238

    Élisabeth Vigée Le Brun: Portraitist of the Queen and Fashion Setter 239

    Illustrating fashion trends 240

    Fleeing for her life 241

    Adélaïde Labille-Guiard: From Ideal to Real and Royals to Revolutionaries 241

    Starting with socially acceptable miniatures 242

    Graduating to sizeable self-portraiture 242

    Working with the Revolutionaries 243

    Canova and Houdon: Greek Grace and Neoclassical Sculpture 243

    Antonio Canova: Ace 18th-century sculptor 243

    Jean-Antoine Houdon: In living stone 244

    Chapter 17: Romanticism: Reaching Within and Acting Out 247

    Kissing Isn't Romantic, but Having a Heart Is 247

    Romancing independence 248

    Romancing spirituality 248

    Romancing the wild 249

    Far Out with William Blake and Henry Fuseli: Personal Mythologies 249

    Unifying body and soul 249

    Drawing on imagination 250

    Inside Out: Caspar David Friedrich 251

    The Revolutionary French Romantics: Gericault and Delacroix 252

    Théodore Gericault 252

    Eugène Delacroix 253

    Francisco Goya and the Grotesque 255

    J. M. W. Turner Sets the Skies on Fire 257

    Rebels with a Cause 260

    Courbet and Daumier: Painting Peasants and Urban Blight 261

    Gustave Courbet 261

    Honoré Daumier: Guts and grit 262

    The Barbizon School and the Great Outdoors 263

    Jean-François Millet: The noble peasants 263

    Jean-Baptiste-Camille Corot: From naked truth to dressed-up reality 264

    Rosa Bonheur: From a Horse Fair to Buffalo Bill 265

    Portraying the Paris horse fair 266

    Gaining world-wide renown 267

    Keeping It Real in America 267

    Along came Thomas Cole 267

    Westward ho! with Albert Bierstadt 269

    George Catlin, painter of western Indian tribes 271

    Edmonia Lewis 272

    Navigating sun, storm, and sea with Winslow Homer 272

    Boating through America with Thomas Eakins 273

    The Pre-Raphaelite Brotherhood: Medieval Visions and Painting Literature 273

    Dante Gabriel Rossetti: Leader of the Pre-Raphaelites 274

    Marie Spartali Stillman: From model to artist 275

    John Everett Millais and soft-spoken symbolism 276

    The Ten: America's First Art Movement 276

    Celebrating the leisure class 277

    Creating art for art's sake 278

    Ashcan Artists: Capturing the Grit of Urban Life 278

    Presenting the urban underbelly 278

    Illustrating the rough life 279

    Chapter 19: First Impressions: Impressionism 281

    M & M: Manet and Monet 282

    Édouard Manet: Breaking the rules 283

    Claude Monet: From patches to flecks 284

    Pretty Women and Painted Ladies: Renoir and Degas 286

    Impressionists and the movement's midlife crisis 287

    Pretty as a picture: Pierre-Auguste Renoir 287

    The dancers of Edgar Degas 288

    Cassatt, Morisot, and Other Female Impressionists 289

    Mary Cassatt 290

    Berthe Morisot 291

    Eva Gonzalès 292

    American Impressionism 293

    William Merritt Chase: An Impressionist with Realist ties 293

    Frieseke in the Giverny American Art Colony 294

    Jane Peterson 295

    Chapter 20: Making Their Own Impression: The Post-Impressionists 297

    You've Got a Point: Pointillism, Georges-Pierre Seurat and Paul Signac 297

    Observing the science of color 297

    Applying the science of color 298

    Red-Light Art: Henri de Toulouse-Lautrec 299

    Tracking the "Noble Savage": Paul Gauguin 300

    Brittany paintings 301

    Tahiti paintings 302

    Gauguin's influence 302

    Painting Energy: Vincent van Gogh 303

    Trading the ministry for art 303

    Expanding artistic energy 303

    Painting while confined 304

    Love Cast in Stone: Rodin and Claudel 304

    Auguste Rodin 305

    Camille Claudel 306

    The Mask behind the Face: James Ensor 306

    The Hills Are Alive with Geometry: Paul Cézanne 308

    Art Nouveau: Curves, Swirls, and Asymmetry 309

    Art Nouveau: Not a painting style 309

    Making functionality pretty 310

    Fairy-Tale Fancies and the Sandcastle Cathedral of Barcelona: Antoni Gaudí 310

    Part 5: Twentieth and Twenty-First Century Art 313

    Chapter 21: From Fauvism to Expressionism 315

    Fauvism: Colors Fighting like Animals 315

    Henri Matisse 316

    André Derain 317

    Maurice de Vlaminck 317

    German Expressionism: Form Based on Feeling 318

    Die Brücke and World War I 318

    Der Blaue Reiter 321

    Austrian Expressionism: From Dream to Nightmare 324

    Gustav Klimt and his languorous ladies 325

    Egon Schiele: Turning the self inside out 325

    Oskar Kokoschka: Dark dreams and interior storms 326

    Chapter 22: Cubist Puzzles and Finding the Fast Lane with the Futurists 329

    Cubism: All Views At Once 329

    Pablo Picasso 330

    Analytic Cubism: Breaking things apart 332

    Synthetic Cubism: Gluing things together 332

    Fernand Léger: Cubism for the commoner 333

    Futurism: Art That Broke the Speed Limit 333

    Umberto Boccioni 335

    Gino Severini 335

    Precisionism: Geometry as Art 336

    The Harlem Renaissance and the Jazz Age 338

    Chapter 23: Nonobjective Art: Dada, Surrealism, and Abstract Expressionism 343

    Suprematism: Kazimir Malevich's Reinvention of Space 343

    The path to Suprematism 344

    Reinventing the world in shape and color 344

    Constructivism: Showing Off Your Skeleton 345

    Tatlin's Tower 346

    A dance between time and space: Naum Gabo 346

    Piet Mondrian and the De Stijl Movement 347

    Dada Turns the World on Its Head 347

    Dada, the ground floor, and Cabaret Voltaire 348

    Dada: Influencee and influencer 348

    Marcel Duchamp: Nudes, urinals, and hat racks 349

    Hans (Jean) Arp: In and out of Dadaland 350

    Surrealism and Disjointed Dreams 351

    Max Ernst and his alter ego, Loplop 351

    Salvador Dalí: Melting clocks, dreamscapes, and ants 352

    René Magritte: Help, my head's on backwards! 354

    Dissecting Frida Kahlo 354

    Joan Miro 356

    My House Is a Machine: Modernist Architecture 357

    Frank Lloyd Wright: Bringing the outside in 357

    Bauhaus boxes: Walter Gropius 359

    Le Corbusier: Machines for living and Notre-Dame du Haut 359

    Abstract Expressionism: Fireworks on Canvas 361

    Arshile Gorky 361

    Jackson Pollock: Flick, fling, drip, splash, swirl - action painting 362

    Lee Krasner: Almost patterns 363

    Willem de Kooning 364

    Chapter 24: Anything-Goes Art: Fab Fifties and Psychedelic Sixties 365

    Artsy Cartoons: Pop Art 365

    The many faces of Andy Warhol 366

    Blam! Comic books on canvas: Roy Lichtenstein 367

    Fantastic Realism 368

    Ernst Fuchs: The father of the Fantastic Realists 368

    Hundertwasser: Organic architecture and art 369

    Louise Nevelson: Picking up the Trash and Assemblage 370

    Louise Bourgeois: Sexualized sculpture 371

    Less-Is-More Art: Rothko, Newman, Stella, Frankenthaler, and Others 372

    Color Fields of dreams: Rothko and Newman 372

    Helen Frankenthaler 373

    Minimalism, more or less 373

    Photorealism 374

    Richard Estes: Always in focus 374

    Clinical close-ups: Chuck Close 375

    Helen Hardin: Native American Futurism 375

    Performance Art and Installations 376

    Fluxus: Intersections of the arts 376

    Joseph Beuys: Fanning out from Fluxus 377

    Carolee Schneemann: Body art and breaking taboos 378

    Chapter 25: Photography: From Science to Art 381

    The Birth of Photography 381

    Transitioning from Science to Art 382

    An early attempt to "artify" photography 383

    Focusing on documentary photography 384

    Alfred Stieglitz: Reliving the Moment 384

    Recognition for photography as high art 385

    Picturesque pictures 385

    Henri Cartier-Bresson's uncanny eye 386

    From painting to photography 386

    Stealth and the "Decisive Moment" 386

    Group f/64: Edward Weston, Imogen Cunningham, and Ansel Adams 387

    Dorothea Lange: Depression to Dust Bowl 388

    Margaret Bourke-White: From Industrial Beauty to Political Statements 389

    Photographing for Fortune 389

    Photographing for Life 389

    Fast-Forward: The Next Generation 391

    Chapter 26: The New World: Postmodern Art 393

    From Modern Pyramids to Titanium Twists: Postmodern Architecture 393

    Viva Las Vegas! 394

    Chestnut Hill: Case in point 394

    Philip Johnson and urban furniture 395

    The prismatic architecture of I M Pei 395

    Deconstructivist architecture of Peter Eisenman, Frank Gehry, and Zaha Hadid 396

    Making It or Faking It? Postmodern Photography and Painting 399

    Cindy Sherman: Morphing herself 399

    Gerhard Richter: Reading between the layers 400

    Installation Art and Earth Art 401

    Judy Chicago: A dinner table you can't sit at 401

    It's a wrap: Christo and Jeanne-Claude 402

    Robert Smithson and earth art: Can you dig it? 403

    Glow-in-the-Dark Bunnies and Living, Genetic Art 404

    Part 6: The Part of Tens 407

    Chapter 27: Ten Must-See Art Museums 409

    The Louvre (Paris) 409

    The Uffizi (Florence) 410

    The Vatican Museums (Rome) 410

    The National Gallery (London) 410

    The Metropolitan Museum of Art (NYC) 410

    The Prado (Madrid) 411

    The National Gallery of Art (D.C.) 411

    The Rijksmuseum (Amsterdam) 411

    British Museum (London) 412

    The Kunsthistorisches Museum (Vienna) 412

    Chapter 28: Ten Great Books by Ten Great Artists 413

    On Painting, by Leonardo da Vinci 413

    Lives of the Most Eminent Painters, Sculptors, and Architects, by Giorgio Vasari 413

    Complete Poems and Selected Letters of Michelangelo 414

    The Journal of Eugène Delacroix 414

    Van Gogh's Letters 414

    Rodin on Art, by Paul Gsell 414

    Der Blaue Reiter Almanac, edited by Wassily Kandinsky and Franz Marc 414

    Concerning the Spiritual in Art, by Wassily Kandinsky 415

    The Diary of Frida Kahlo: An Intimate Self-Portrait 415

    Hundertwasser Architecture: For a More Human Architecture in Harmony with Nature, by Friedensreich Hundertwasser 415

    And Others 415

    Index 417