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Produktbild: A New Way of Seeing

A New Way of Seeing The History of Art in 57 Works

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Beschreibung

A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting voices in cultural criticism. What makes great art great? Why do some works pulse in the imagination, generation after generation, century after century? From Botticelli's Birth...

Beschreibung

A new way of appreciating art that puts the artwork front and centre, brought to us by one of the freshest and most exciting voices in cultural criticism.
What makes great art great? Why do some works pulse in the imagination, generation after generation, century after century? From Botticelli's Birth of Venus to Picasso's Guernica, some paintings and sculptures have become so famous, so much a part of who we are, that we no longer really look at them. We take their greatness for granted; our eyes have become near-obsolete. We need a new way of seeing.
Unsatisfied with traditional interpretations of masterpieces, which are so often interested only in learning about art, and not from it, Kelly Grovier combed the surface of revered works from the Terracotta Army to Frida Kahlo's self-portraits, in a quest to find the key to their lasting power to move and delight us. He discovered that every truly great work is hardwired with an underappreciated detail that ignites it from deep within.
Stepping away from biography, style and the chronology of 'isms' that preoccupies most art history, Grovier tells a new story in which we learn from the artworks, not just about them.

Rezension

'Finally, a book that asks, with a restless and sensitive eye, what it is that makes masterpieces sing across the centuries. A highly enjoyable history of art that is also a fascinating meditation on excellence' - Jonathan Jones, art critic

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

03.03.2022

Verlag Thames & Hudson
Seitenzahl

256

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

03.03.2022

Verlag Thames & Hudson
Seitenzahl

256

Maße (L/B/H)

23,9/16,2/2,5 cm

Gewicht

742 g

Sprache

Englisch

ISBN

978-0-500-29556-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A New Way of Seeing
  • Introduction: A Touch of Strangeness

    Ashurbanipal Hunting Lions (c. 645-635 BC)
    Parthenon Sculptures (c. 444 BC)
    Terracotta Army of the First Qin Emperor (c. 210 BC)
    Villa of the Mysteries murals (c. 60-50 BC)
    Laocoön and his Sons (c. 27 BC-AD 68)
    Trajan's Column (AD 113), Apollodorus of Damascus
    The Book of Kells (c. AD 800)
    Travellers among Mountains and Streams (c. 1000), Fan K'uan
    Bayeux Tapestry (c. 1077 or after)
    The Universal Man (c. 1165), Hildegard of Bingen
    The Expulsion from the Garden of Eden (c. 1427), Masaccio
    Ghent Altarpiece (1430-32), Jan van Eyck
    The Descent from the Cross (1430-32), Rogier van der Weyden
    The Annunciation (c. 1438-47), Fra Angelico
    The Lamentation over the Dead Christ (c. 1480), Andrea Mantegna
    The Birth of Venus (c. 1482-85), Sandro Botticelli
    Mona Lisa (c. 1503-6), Leonardo da Vinci
    The Garden of Earthly Delights (1505-10), Hieronymus Bosch
    Sistine Chapel ceiling frescoes (1508-12), Michelangelo
    The School of Athens (1510-11), Raphael
    Isenheim Altarpiece (1512-16), Matthias Grünewald
    Bacchus and Ariadne (1520-23), Titian
    Self-Portrait (1548), Catharina van Hemessen
    Crucifixion (1565-87), Tintoretto
    The Supper at Emmaus (1601), Caravaggio
    The Ecstasy of St Teresa (1647-52), Gian Lorenzo Bernini
    Las Meninas (1656), Diego Velázquez
    Girl with a Pearl Earring (c. 1665), Johannes Vermeer
    Self-Portrait with Two Circles (c. 1665-69), Rembrandt van Rijn
    An Experiment on a Bird in the Air Pump (1768), Joseph Wright of Derby
    The Nightmare (1781), Henry Fuseli
    The Third of May 1808 (1814), Francisco Goya
    The Hay Wain (1821), John Constable
    Rain, Steam, and Speed - The Great Western Railway (1844), J. M. W. Turner
    Arrangement in Grey and Black No. 1 (Portrait of the Artist's Mother) (1871), James Abbott
    McNeill Whistler
    The Thinker (1880-1904), Auguste Rodin
    A Bar at the Folies-Bergère (1882), Édouard Manet
    Bathers at Asnières (1884), Georges Seurat
    The Scream (1893), Edvard Munch
    The Large Bathers (1900-6), Paul Cézanne
    Group IV, No. 7, Adulthood (1907), Hilma af Klint
    The Kiss (1907), Gustav Klimt
    Dance (1909-10), Henri Matisse
    Water Lilies (1914-26), Claude Monet
    Fountain (1917), Marcel Duchamp
    American Gothic (1930), Grant Wood
    The Persistence of Memory (1931), Salvador Dalí
    Guernica (1937), Pablo Picasso
    L'Égypte de Mlle Cléo de Mérode: cours élémentaire d'histoire naturelle (1940), Joseph Cornell
    Self-Portrait with Thorn Necklace and Hummingbird (1940), Frida Kahlo
    One: Number 31 (1950), Jackson Pollock
    Study after Velázquez's Portrait of Pope Innocent X (1953), Francis Bacon
    Brillo Boxes (1964), Andy Warhol
    Backs and Fronts (1981), Sean Scully
    Betty (1988), Gerhard Richter
    Maman (1999), Louise Bourgeois
    The Artist is Present (2010), Marina Abramovic

    Sources and Further Reading
    Acknowledgments
    Picture Credits
    Index