Produktbild: Writings on Media

Writings on Media History of the Present

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.11.2021

Abbildungen

19 illustrations

Herausgeber

Charlotte Brunsdon

Verlag

Duke University Press

Seitenzahl

352

Maße (L/B/H)

22,9/15,2/1,9 cm

Gewicht

520 g

Sprache

Englisch

ISBN

978-1-4780-1471-3

Beschreibung

Rezension

"How refreshing and urgent to revisit Stuart Hall's formative ideas about racism, identity, ideology, and media at the very moment that media has become such a contested site and source of ideological work. Hall's searing and critical insights about what media does, how it works, and why it matters have never been as pressing as they are today. In our global and national media ecologies where disputes over facts, epistemological turmoil, fake news, and ideological rigidities are routine, Charlotte Brunsdon's curated collection of Hall's essays on the media is a remarkable and indispensable gift." - Herman Gray, Emeritus Professor of Sociology, University of California, Santa Cruz "Stuart Hall revolutionized the critical study of media, positioning them-newspapers, photographs, television-as key sites of struggle over cultural meaning and power, and thus as central to the project of cultural studies. Above all, however, Hall did not just write about media but used them prolifically as outlets for critical intervention in the world. This superb set of essays testifies to the uniquely powerful voice of one of the most important public intellectuals in postimperial Britain." - Ien Ang, Distinguished Professor of Cultural Studies, Western Sydney University "Brunsdon . . . gifts us with the evolution and contours of Hall's thought(s) about media more broadly in work he produced mostly in the decade of the 1970s or thereabouts: about photography and the visual arts, about the press, about radio and broadcasting, and finally about television. . . What the American reader learns from this collection is this: Hall was a prescient, energetic thinker of specificity and generality at the same time. . . ." - Amy Villarejo (Critical Studies in Television) "This is the true magic here: what Hall furnished for us during the course of his life, and what Brunsdon has collected and contextualized in Writings on Media, is an invitation into Hall's world-to see the world as he did. This vision is bright eyed, and delighted, and serious, and humble. . . . In all of his prose, it is unmistakable just how much Hall absolutely wants you in it with him, and to share his questions, and to identify possible answers, and to figure it out with you. And, that is a very precious gift indeed." - Max Wiggins (College & Research Libraries) "This series is a veritable motherlode for Hall devotees and neophytes alike. . . . As Brunsdon points out, ensures that even the older or more micro-focused pieces in this volume still have ample value for current scholarship in media, film and cultural studies, and for the broader intersections around the analysis of politics, race, identity and ideological formation." - Bill Yousman (Screen)

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

16.11.2021

Abbildungen

19 illustrations

Herausgeber

Charlotte Brunsdon

Verlag

Duke University Press

Seitenzahl

352

Maße (L/B/H)

22,9/15,2/1,9 cm

Gewicht

520 g

Sprache

Englisch

ISBN

978-1-4780-1471-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Writings on Media
  • Editor's Note on the Text  vii
    Acknowledgments  ix
    Introduction: A History of the Present / Charlotte Brunsdon  1
    Part I. The Photograph in Context
    Introduction to Part I  15
    1. Preface to Black Britain: A Photographic History  23
    2. Media and Message: The Life and Death of Picture Post  26
    3. The Social Eye of Picture Post  34
    4. The Determinations of New Photographs  54
    5. Reconstruction Work: Images of Post-war Black Settlement  78
    6. Vanley Burke and the "Desire for Blackness"  95
    Part II. Media Studies and Cultural Studies
    Introduction to Part II  101
    7. Film Teaching: Liberal Studies  111
    8. The World of the Gossip Column  122
    9.  A World at One with Itself  131
    10. Introduction to Paper Voices  141
    11. Down with the Little Woman  155
    12. Mugging: A Case Study in the Media  162
    13. Introduction to Media Studies at the Centre  169
    14. The Whites of Their Eyes: Racist Ideologies and the Media  177
    Part III. Television
    Introduction to Part III  201
    15. Television as a Medium and Its Relation to Culture  209
    16. Watching the Box  237
    17. Gogglebox Gigolos  242
    18. TV Types  245
    19. Encoding and Decoding in the Television Discourse  247
    20. Media Power: The Double Bind 267
    21. Will Annan Open the Box?  276
    22. Which Public, Whose Service?  281
    23. Black and White in Television  297
    Coda  315
    24. Stuart Hall's Desert Island Discs  317
    Index  331
    Place of First Publication  343