Shirley Jackson and Domesticity Beyond the Haunted House

Notes on Contributors
Acknowledgments
Introduction
Melanie R. Anderson (Delta State University, USA)

1. Hideous Doughnuts and Haunted Housewives: Gothic Undercurrents in Shirley Jackson's Domestic Humor
Bernice M. Murphy (Trinity College Dublin, Ireland)
2. Enemies Foreign and Domestic: Shirley Jackson's New Yorker Stories
Ashley Lawson (West Virginia Wesleyan College, USA)
3. "You Didn't Look Like You Belonged in This House": Shirley Jackson's Fragile Domesticities
Michael Dalpe, Jr. (College of New Jersey, USA)
4. "Sharp Points Closing in on Her Throat": The Domestic Gothic in Shirley Jackson's Short Fiction
L.N. Rosales (University of Nebraska-Lincoln, USA)
5. Endless House, Interminable Dream: Shirley Jackson's Domestic Architecture and the Matrophobic Gothic
Luke Reid (Dawson College, Canada)
6. Casting a Literary Spell: The Domestic Witchcraft of Shirley Jackson
Alissa Burger (Culver-Stockton College, USA)
7. Homemaking for the Apocalypse: Queer Failures and Bunker Mentality in The Sundial
Jill E. Anderson (Tennessee State University, USA)
8. Domestic Apocalypse in Shirley Jackson's The Sundial
Christiane E. Farnan (Siena College, USA)
9. "I May Go Mad, but At Least I Look Like a Lady": The Insanity of True Womanhood in Shirley Jackson's The Sundial
Julie Baker (Independent Scholar, USA)
10. Insisting on the Moon: Shirley Jackson and the Queer Future
Emily Banks (Emory University, USA)
11. Shirley Jackson's Merricat Story: Conjugal Narcissism in We Have Always Lived in the Castle
Richard Pascal (Australian National University, Australia)
12. My House Is My Castle: On the Mutually Enabling Persistence of Familial Devotion and Defunct Economies in Shirley Jackson's We Have Always Lived in the Castle
Allison Douglass (Graduate Center, CUNY, USA)
13. Flipping Hill House: The Netflix Revision of Shirley Jackson's Landmark Novel
Jessica McCort (Point Park University, USA)

Index