Beschreibung
Produktdetails
Verkaufsrang
5153
Einband
Taschenbuch
Erscheinungsdatum
22.03.2021
Abbildungen
50 schwarz-weiße und 250 farbige Abbildungen
Verlag
PrestelSeitenzahl
304
Maße (L/B/H)
29,9/24,6/3 cm
Gewicht
1633 g
Farbe
Bordeaux
Auflage
1. Auflage
Sprache
Englisch
ISBN
978-3-7913-8734-5
New in paperback, this revelatory book features rarely seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres.
David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch’s paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch’s often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch’s characteristic style—surreal, stylish, and even humorous—shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thoughtprovoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch’s life and career. This book reveals an unexplored facet of Lynch’s oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.
David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch’s paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch’s often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch’s characteristic style—surreal, stylish, and even humorous—shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thoughtprovoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch’s life and career. This book reveals an unexplored facet of Lynch’s oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.
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