• Produktbild: The Printed Book in Contemporary American Culture
  • Produktbild: The Printed Book in Contemporary American Culture

The Printed Book in Contemporary American Culture Medium, Object, Metaphor

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.09.2020

Herausgeber

Heike Schaefer + weitere

Verlag

Springer

Seitenzahl

277

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

386 g

Auflage

1st ed. 2019

Sprache

Englisch

ISBN

978-3-030-22547-6

Beschreibung

Rezension

“This relevant and timely book … . I won’t be satisfied until I possess a physical copy of this useful and thought-provoking collection.” (Glyn White, Textual Cultures, Vol. 14 (1), 2021)



“The Printed Book in Contemporary American Culture an unequivocally thorough study on the printed book in the early twenty-first century … . Schaefer and Starre have composed a volume brimming withfresh insight, comprehensive research, and interdisciplinary perspectives that brings forth the richness in contemporary engagements with the printed book. Skillfully calibrated to ensure smooth transitions across chapters, The Printed Book in Contemporary American Culture reveals the current media landscape as a transformative terrain forthe printed book’s regeneration.” (Thomas Mantzaris, European Journal of American Studies, Vol. 16 (4), 2021)

Portrait

Heike Schaefer is Professor of North American Literature and Culture at the University of Education Karlsruhe, Germany. She is the author of American Literature and Immediacy: Literary Innovation and the Emergence of Photography, Film, and Television (2019) and Mary Austin’s Regionalism (2004) and co-editor of Network Theory and American Studies (2015) and Literary Knowledge Production and the Life Sciences (2017).

Alexander Starre is Assistant Professor of North American Culture at the John F. Kennedy Institute, Freie Universität Berlin, Germany. He is the author of Metamedia: American Book Fictions and Literary Print Culture after Digitization (2015) and co-editor of Projecting American Studies: Essays on Theory, Method, and Practice (2018).



Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.09.2020

Herausgeber

Verlag

Springer

Seitenzahl

277

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

386 g

Auflage

1st ed. 2019

Sprache

Englisch

ISBN

978-3-030-22547-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: The Printed Book in Contemporary American Culture
  • Produktbild: The Printed Book in Contemporary American Culture
  • Introduction1. The Printed Book, Contemporary Media Culture, and American StudiesHeike Schaefer and Alexander Starre

    Section I: The Printed Book and Formations of Knowledge in the Digital Age2. The Books That Count: Big Data vs. Narrative in Robin Sloan's Mr. Penumbra's 24-Hour Bookstore and Joshua Cohen’s Book of NumbersRegina Schober

    3. US Print Culture, Literary Narrative, and Slow Reading in the Age of Big Data: Steve Tomasula’s VAS: An Opera in FlatlandAntje Kley

    4. “Books and Books and Books … an Oasis of the Forbidden”: Writing and Print Culture as Metaphor and Medium for Survival in Margaret Atwood’s Novel The Handmaid’s TaleReingard M. Nischik

    5. Zines in the Library: Underground Communication and the Property Regimes of Book CultureJanice Radway

    Section II: The Book as Commodity and Fetish 6. The Book between Media Convergence, Media Specificity, and Diverse Reading Communities in Present-Day US CultureChristoph Bläsi

    7. Michael Cunningham’s The Hours: Homage to the Book in a Time of Media TransformationAleida Assmann

    8. “There’s Nothing Quite Like a Real Book”: Stop-Motion BookishnessJessica Pressman

    Section III: Redesigning the Codex: Current Experiments in and beyond the Book9. Remediation, Oral Storytelling, and the Printed Book: The Stylistic Strategies of Mark Z. Danielewski’s The Fifty Year SwordAlison Gibbons

    10. Book Design as Literary Strategy: Aka Morchiladze’s Novel Santa Esperanza and Its Poetics of Playful StorytellingMonika Schmitz-Emans

    11. Authorial Impression and Remediation in Anne Carson’s Quasi-Artist’s Book NoxKiene Brillenburg Wurth

    Afterword: 12. The Storied BookGarrett Stewart