Passing and Posing between Black and White Calibrating the Color Line in U.S. Cinema

»[The book] makes a compelling case for engaging with representations of racial passing on screen with a specific focus on aesthetics and form, and the ways in which they have contributed to filmic innovation in the United States.« ("Lea Espinoza Garrido, Amerikastudien, 68/4 (2023)")
»A resourceful read with precise observations and a wealth of thoughts.« ("Hans-Ulrich Mohr, Anglia, 140/3-4 (2022)")
» This is an important book and should be read.« ("Jan-Christopher Horak, Archival Spaces, 283 (2021)")
»A resourceful read with precise observations and a wealth of thoughts.« ("Hans-Ulrich Mohr, Anglia, 140/3-4 (2022)")
» This is an important book and should be read.« ("Jan-Christopher Horak, Archival Spaces, 283 (2021)")
»[The book] makes a compelling case for engaging with representations of racial passing on screen with a specific focus on aesthetics and form, and the ways in which they have contributed to filmic innovation in the United States.« ("Lea Espinoza Garrido, American Studies, 68/4 (2023)")