• Produktbild: Performing History
  • Produktbild: Performing History

Performing History Approaches to History Across Musicology

95,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.08.2020

Herausgeber

Nancy November

Verlag

Academic Studies Press

Seitenzahl

358

Maße (L/B/H)

24/16,1/2,4 cm

Gewicht

702 g

Sprache

Englisch

ISBN

978-1-64469-354-4

Beschreibung

Portrait

Nancy November is currently an Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. Recent publications include Beethoven's Theatrical Quartets: Opp. 59, 74, and 95 (Cambridge University Press, 2013); a three-volume set of fifteen string quartets by Emmanuel Aloys Förster (A-R Editions, 2016); and Cultivating String Quartets in Beethoven's Vienna (Boydell Press, 2017). She is the recipient of a Humboldt Fellowship, and two Marsden Grants from the New Zealand Royal Society.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.08.2020

Herausgeber

Nancy November

Verlag

Academic Studies Press

Seitenzahl

358

Maße (L/B/H)

24/16,1/2,4 cm

Gewicht

702 g

Sprache

Englisch

ISBN

978-1-64469-354-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: Libri GmbH

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

Die Leseprobe wird geladen.
  • Produktbild: Performing History
  • Produktbild: Performing History
  • Table of Contents

    Introduction
    Nancy November

    HIP Experiences

    1. Some Senses of History among HIP Performers
    Mary Hunter

    2. Counting to Four: The flûte du quatre in Charles Dieupart¿s Six Suittes (1701)
    Imogen Morris

    3. The French style of Viol Bowing and the enflé in the Works of Marin Marais
    Polly Sussex

    4. Contextual History through Rhetorical Visuality in Performing Monteverdi¿s Il pianto della Madonna
    Daniela Kaleva

    Performance as Celebration and Conservation

    5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Tak¿
    Richard Moyle

    6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation
    Mia Palencia

    Performing War

    7. Historical Fidelity and Creative License in two Viennese Battles of the Nile
    Allan Badley

    8. Gallipoli to the Somme: A Musical Witness to History
    Anthony Ritchie

    9.  Britten¿s Primal Scream
    Sterling Lambert

    Staging Power and Enlightenment

    10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613¿76) in Wolfenbüttel Court Festivities of the 1650s
    Hannah Spracklan-Holl

    11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni¿s Il regno della Luna
    Lawrence Mays

    Performing the Body and the Senses

    12. ¿A New World is Opened up to View¿: Orchestral Gesture in Berlioz¿s Roméo et Juliette
    Inge van Rij

    13. Italian Futurism: Music and the Senses in the Modern Age
    Jennifer Rumbell 

    Performing the Popular

    14. ¿Saxophones Sobbed Out Jazz¿: New Zealand¿s First Jazz Recording
    Aleisha Ward

    15. ¿To Display Her Chief Accomplishment¿: Domestic Manuscript Music Collections in Colonial Australia
    Rosemary Richards

    Author Biographies