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  • Produktbild: The Sociology of Arts and Markets
  • Produktbild: The Sociology of Arts and Markets

The Sociology of Arts and Markets New Developments and Persistent Patterns

Aus der Reihe Sociology of the Arts

149,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.06.2020

Abbildungen

XVI, 431 p. 18 illus., 4 illus. in color.

Herausgeber

Andrea Glauser + weitere

Verlag

Springer

Seitenzahl

431

Maße (L/B/H)

21,6/15,3/2,9 cm

Gewicht

688 g

Auflage

20001 Auflage 1st edition 2020

Sprache

Englisch

ISBN

978-3-030-39012-9

Beschreibung

Portrait


Andrea Glauser 
is
 
Professor of Cultural Studies at the University of Music and Performing Arts Vienna, Austria.


Patricia Holder
is a freelance researcher and curator, and was previously a research assistant at the University of St. Gallen, Switzerland.


Thomas Mazzurana
 is an innovation manager, and was previously a research assistant at the University of St. Gallen, Switzerland.


Olivier Moeschler
is Senior Researcher at the University of Lausanne, Switzerland.


Valérie Rolle 
is Lecturer at the University of Nantes, France.


Franz Schultheis
is Professor Emeritus of Sociology at Zeppelin University, Germany. 

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

16.06.2020

Abbildungen

XVI, 431 p. 18 illus., 4 illus. in color.

Herausgeber

Verlag

Springer

Seitenzahl

431

Maße (L/B/H)

21,6/15,3/2,9 cm

Gewicht

688 g

Auflage

20001 Auflage 1st edition 2020

Sprache

Englisch

ISBN

978-3-030-39012-9

Herstelleradresse

Springer-Verlag GmbH
Europaplatz 3
69115 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: The Sociology of Arts and Markets
  • Produktbild: The Sociology of Arts and Markets

  • 1. Introduction; Andrea Glauser, Patricia Holder, Thomas Mazzurana, Olivier Moeschler, Valérie Rolle and Franz Schultheis.- Part 1. Creators in the Market: Artists between Aesthetics, Critique and Trade.- 2. Patrick Modiano, Between the Fields of Limited Production and Large-Scale Production; Clara Lévy.- 3. A Star Down-to-Earth: On Social Criticism in Popular Culture; Désirée Waibel and Robert Schäfer.- Part 2. Artistic Career Paths: Trajectories and Inequalities in the Market.- 4.  Art Workers, Inequality and the Labour Market: Values, Norms, and Alienation Across Three Generations of Artists; Orian Brook, Dave O’Brien and Mark Taylor.- 5.  Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market; Pierre Bataille, Johannes M. Hedinger and Olivier Moeschler.- 6. The Art Market – Art’s Incomplete Mirror: Artistic Action’s Guiding Principle and their Consequences for the Art Market; Linda Dürkop-Henseling.- Part 3. The Economy of Idiosyncrasy: Art Dealers and the Commodification of Individuality.- 7. When Market Promotes Individuality: Arts in Early Modern Japan from the Macrosociological Perspective; Takemitsu Morikawa.- 8.  The Art Market Facing New Connoisseurship: The Reception of Pieter Brueghel the Younger at Auction; Anne-Sophie Radermecker.- 9.  Collective-Artists: Actors on the Margins of the Global Field of Contemporary Art; Séverine Marguin.- Part 4. Marketable Art: Galleries and Gallery Owners as Central Intermediaries.- 10. Hierarchies and Divisions in the Subfield of Gallery Owners: A Research on Art Galleries in Milan; Anna Uboldi.- 11.  Mapping the Professional Self-Concepts of Gallery Owners: A Typology; Michael Gautier.- 12.  The Diffusion of Galleries in China (1991-2016); Linzhi Zhang.- Part 5. Market Assessments: The Increasing Role of Art Rankings.- 13. MagicIndex on the Wall: Who is the Most Valuable Artist of Them All?; Nathalie Moureau.- 14. Can Contemporary Art Galleries Be Ranked? A Sociological Attempt from the Paris Case; Alain Quemin.- Part 6.
     
    Features of the Art Market in Advanced Capitalism: From Established to New Patterns? - 15. The Art Fair Boom and its Contradictions; Erwin Single.- 16.  Art Meets Capitalism: In Praise of Promising Potentialities; Denis Hänzi.- 17.  The Art, the Markets, and Sociology: Concluding Remarks; Franz Schultheis.