Produktbild: The Extravagance of Music

The Extravagance of Music

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.12.2018

Verlag

Springer

Seitenzahl

325

Maße (L/B/H)

21/14,8/2 cm

Gewicht

456 g

Auflage

Softcover reprint of the original 1st edition 2018

Sprache

Englisch

ISBN

978-3-030-06303-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.12.2018

Verlag

Springer

Seitenzahl

325

Maße (L/B/H)

21/14,8/2 cm

Gewicht

456 g

Auflage

Softcover reprint of the original 1st edition 2018

Sprache

Englisch

ISBN

978-3-030-06303-0

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: The Extravagance of Music
  • 1.            INTRODUCTION: AN ART OPEN TO THE DIVINE

     

        The Extravagance of Music

        Ancestral Conceptions of Music

    The Pythagorean Tradition

    The Orphic Tradition

        The Extravagance of the Divine

        Prospectus

     

    Part One: God and Classical Sounds

     

    2.            A GENEROUS EXCESS

     

    The Divine at Work beyond Scripture

    The Possibility of Music as Encounter

    Types of Aesthetic Experience and Their Relation to Religion

    Competing Types of Aesthetic Evaluation and Experience

    Religious Perspectives Interacting with Aesthetic Criteria

    Music in the Context of Words: Setting Divine Encounters to Music

    Interim Conclusion

     

    3.            TYPES OF EXTRAVAGANCE

     

    Order and the Music of the Spheres: Haydn, Mozart, and Bach

    A Sense of Transcendence: Beethoven and Led Zeppelin

    Divine Immanence: Beethoven, Sibelius and Debussy, and the Creed’s Incarnatus

    Divine Immanence in Nature

    Immanence and the Incarnatus est of the Creed

    The Mystery of the Divine Life: Minimalism, Bruckner, Liszt and Franck

    Transcending Time

    Serenity, Majesty, Ecstatic Joy

          Specifics: Coltrane on Generosity, Schubert on Suffering, Massenet on Suicide

     

    4.            DISCOVERING GOD IN MUSIC’S EXCESS

     

    Giving Sense to the Encounter

    From the Human Side: Knowledge and Emotion

    From the Divine Side: Developing a Philosophy of Presence

    Restraints on Such Experience

     

     

    Part Two: Popular Music and the Opening up of Religious Experience

    5.            CULTURED DESPISERS

     

    The Cloistral Refuge of Music

    Pop Pollution

    God’s Love of Adverbs

    The Wonder of Minor Experiences

    Dancing ‘with’ and Dancing ‘at’

    What Has Graceland to Do with Jerusalem?

    Theological Imperialism

                    Aesthetic Hospitality

                    The Wandering of the Semantic

                    One Size Fits All

    Too Much Heaven?

                    Rehabilitating Lightness

                    The World ‘in front of’ the Text

                    The Spiritual Assets of Tackiness

    Cultural Pessimism 

     

    6.            SPILT RELIGION

     

    The Listener’s Share

    Unheard Melodies

    Only Connect

    Jordan: The Comeback

    The Word in the Desert

    Post-Secular Popular Music

    The In-Between

    The Impure Sacred

    Oxymoronic Postures

    Metaphysical Shuddering

    Ontological Exuberance

    Ludic Avowal

    Subjunctive Explorations

    Being in Darkness

    The Interlocuted Listener

    Secular Forms and Sacred Effects

    Musical Hyperbole

    The Moment out of Time

    The Swarming Forms of the Banal

    Homeward Bound

    Coda: Being Opened

     

    7.            CONCLUSION