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  • Produktbild: The Oxford Handbook of the Eighteenth-Century Novel
  • Produktbild: The Oxford Handbook of the Eighteenth-Century Novel

The Oxford Handbook of the Eighteenth-Century Novel

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

09.04.2020

Herausgeber

J. A. Downie

Verlag

Oxford Academic

Seitenzahl

620

Maße (L/B/H)

24,4/17/3,3 cm

Gewicht

1054 g

Sprache

Englisch

ISBN

978-0-19-885733-4

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

09.04.2020

Herausgeber

J. A. Downie

Verlag

Oxford Academic

Seitenzahl

620

Maße (L/B/H)

24,4/17/3,3 cm

Gewicht

1054 g

Sprache

Englisch

ISBN

978-0-19-885733-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Oxford Handbook of the Eighteenth-Century Novel
  • Produktbild: The Oxford Handbook of the Eighteenth-Century Novel


    • Preface


    • PART I: 1660-1770: FROM 'NOVELS' TO WHAT IS NOT YET 'THE NOVEL'


    • The economics of culture 1660-1770


    • 1: Peter Hinds: The Book Trade at the Turn of the Eighteenth Century


    • 2: Michael F. Suarez, S. J.: Business of Fiction: Novel Publishing, 1695-1774


    • 3: Pat Rogers: Social Structure, Class, and Gender, 1660-1770


    • 4: Brian Cowan: Making Publics and Making Novels: Post-Habermasian Perspectives


    • Influences on the early English novel


    • 5: Walter L. Reed: The Continental Influence on the Eighteenth-Century Novel: 'The English Improve What Others Invent'


    • 6: Gillian Dow: Criss-crossing the Channel: The French Novel and English Translation


    • 7: W. R. Owens: Religious Writings and the Early Novel


    • 8: Cynthia Wall: Travel Literature and the Early Novel


    • 9: Rebecca Bullard: Secret History, Politics, and the Early Novel


    • Early 'Novels' and Novelists


    • 10: Thomas Keymer: Restoration Fiction


    • 11: David Oakleaf: Testing the Market: Robinson Crusoe and After


    • 12: Clement Hawes: Gulliver Effects


    • 13: Peter Sabor: 'Labours of the Press': The Response to Pamela


    • 14: John Dussinger: Samuel Richardson and the Epistolary Novel


    • 15: Scott Black: Henry Fielding and the Progress of Romance


    • 16: Simon Dickie: Novels of the 1750s


    • 17: Tim Parnell: 'Tristram is the Fashion': Sterne, Shandyism, and the sentimental novel


    • Epilogue: The English Novel at the end of the 1760s


    • PART II: 1770-1832: THE MAKING OF THE ENGLISH NOVEL


    • Literary Production 1770-1832


    • 18: John Feather: The Book Trade 1770-1832


    • 19: Robert Folkenflik: The Rise of the Illustrated English Novel to 1832


    • Authors, readers, reviewers, and critics, 1770-1832


    • 20: W. A. Speck: Social Structure, Class and Gender, 1770-1832


    • 21: Barbara M. Benedict: 'Male' and 'Female' novels? Gendered Fictions and the Reading Public, 1770-1832


    • 22: Antonia Forster: Reviewing the Novel


    • 23: Peter Garside: 'Ordering' Novels: Describing Prose Fiction, 1770-1832


    • Novels and Novelists, 1770-1832


    • 24: Ros Ballaster: The Rise and Decline of the Epistolary Novel, 1770-1832


    • 25: Geoffrey Sill: Developments in Sentimental Fiction


    • 26: Deirdre Shauna Lynch: Philosophical Fictions and 'Jacobin' Novels in the 1790s


    • 27: M. O. Grenby: The Anti-Jacobin Novel


    • 28: David H. Richter: The Gothic Novel and the Lingering Appeal of Romance


    • 29: Markman Ellis: Novel and Empire


    • 30: Gary Kelly: The Popular Novel 1790 to 1820


    • 31: Lisa Wood: The Evangelical Novel


    • 32: Jan Fergus: 'Pictures of domestic Life in Country Villages': Jane Austen and the 'Realist' Novel


    • 33: Ina Ferris: Authorizing the Novel: Walter Scott's Historical Fiction


    • 34: Gary Dyer: Parody and Satire in the Novel, 1770-1832


    • Epilogue