Produktbild: Ceramic, Art and Civilisation

Ceramic, Art and Civilisation

Aus der Reihe Bloomsbury Visual Arts

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.03.2021

Verlag

Bloomsbury Academic

Seitenzahl

512

Maße (L/B/H)

28,1/22,2/3,6 cm

Gewicht

2238 g

Sprache

Englisch

ISBN

978-1-4742-3970-7

Beschreibung

Rezension

Greenhalgh describes the fluctuating status of pots and potters throughout history in connection with the technical development of ceramic as an industry and the emergence of the artist potter. [He] takes us from ancient Greece to the wilder shores of Conceptual Art, Post-Modernism and Californian Funk. Full of surprises [and] provocative Jane Rye, The Spectator

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.03.2021

Verlag

Bloomsbury Academic

Seitenzahl

512

Maße (L/B/H)

28,1/22,2/3,6 cm

Gewicht

2238 g

Sprache

Englisch

ISBN

978-1-4742-3970-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Ceramic, Art and Civilisation
  • Acknowledgements
    Prologue: A History in Shards

    CHAPTER 1. WHAT CERAMIC IS
    1. Fundamentals
    2. Stuff of the Earth
    3. The Art of Heat
    4. The Potter
    5. Nomenclature and Culture
    6. The Ceramic Continuum
    7. Transformers: Classicism, Islam, China, and the Modern
    8. The Discipline
    9. Industry and the Levels of Production
    10. Ubiquity: The Plastic of the Ancient World
    11. Telling Stories
    12. Civilisation, Power, and Domestic Life
    13. Conclusion: Western Ceramic

    CHAPTER 2: THE VALUE OF THE GREEK POTTER
    1. The World in Black and Red
    2. Positioning the Pots
    3. The Earlier Greek World
    4. Reducing Iron and Oxygen
    5. Who Were These People?
    6. Secular Life
    7. Anachronism, the Value, and the Price of Things
    8. The Value and the Price of Things
    9. Conclusion: The Spread of Red and Black

    CHAPTER 3: ROME AND THE ARRIVAL OF THE MEDIEVAL WORLD
    1. The Feel of Roman Pots
    2. Red Gloss
    3. The Pots of Empire
    4. Greece, Rome, and the Classical Idea
    5. Standardisation
    6. Dark, Light, an End and a Beginning
    7. Europe: The Coarse and the Local
    8. Revivalism and the Vernacular
    9. Conclusion: The Classical Heritage

    CHAPTER 4: RENAISSANCES OF TIN
    1. The Chemistry of Islam
    2. Islam and Ceramic History
    3. The Pottery Revolution
    4. Islam in Europe
    5. Renaissance Pots
    6. Colour, Line and Life
    7. Secular Life
    8. Pottery and Painting
    9. Quantity, Quality, and Status
    10. The Arrival of the Meal
    11. Sculptural Form
    12. Italian Potters and Potteries
    13. Renaissances
    14. Conclusion: a European Ethos

    CHAPTER 5: THE ENLIGHTENED REIGN OF WHITE
    1. Chinese Pots
    2. Technology, Style, Confidence
    3. Porcelain City
    4. China in Europe
    5. The Quest for a European Porcelain
    6. The Porcelain Explosion
    7. Blue, White, War, and Peace
    8. Delftware
    9. Frivolity and Melancholy: the Figurine Reinvented
    10. The Rise of Staffordshire
    11. Conclusion: Modern Whiteness

    CHAPTER 6: THE NATURAL AND THE INDIVIDUAL: LEAD, SLIP, STONE, SALT
    1. History, the Collective, and the Individual
    2. The Renaissance Man
    3. The Palissystes
    4. The Salt Renaissance
    5. Prose and Poetry
    6. The Nature of Slip
    7. Configuring Life
    8. The Arrival of America
    9. Conclusion: The Ingredients of Modernity

    CHAPTER 7: THE ACCELERATION OF STYLE AND THE ARRIVAL OF THE MODERN
    1. Decoration, Complication, and Anxiety
    2. The Last Transformer: Another Modernity
    3. Institutionalisation
    4. Exhibitions
    5. Ugliness and the Era
    6. The Invention of Style
    7. Design Reform and the Ingredients of Modern Design
    8. The Meaning of Majolica
    9. The Vortex of Large-scale Production
    10. The Republic of Tile
    11. Ceramic Hell
    12. Gender
    13. Exoticism
    14. The Designer
    15. The Art Nouveau style
    16. Conclusion: High Eclecticism to Art Nouveau

    CHAPTER 8: THE STUDIO ARRIVES
    1. A Modern Place
    2. Art Pottery
    3. Defining Art
    4. The Invention of Craft
    5. The Completeness of Existence
    6. The Artist-potter
    7. Émigrés
    8. Art Deco
    9. The International Style
    10. Mid-century Modern
    11. Potters and Painters
    12. Conclusion: A World is Formed

    CHAPTER 9: THE CREATIVE EXPLOSION
    1. Thunderous Emotion
    2. Another Modernity
    3. The World of Funk
    4. Conceptualism and Minimalism
    5. A New Arena
    6. New American Symbolism
    7. The Ceramic Landscape
    8. Abstract Vessels
    9. Postmodernism
    10. The New Ornamentalism
    11. Conclusion: The Potter Now

    Postscript: Attica to California
    Notes
    Bibliography
    Index
    About the Author