• Produktbild: The Bloomsbury Handbook of Popular Music Video Analysis
  • Produktbild: The Bloomsbury Handbook of Popular Music Video Analysis

The Bloomsbury Handbook of Popular Music Video Analysis

258,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.10.2019

Abbildungen

117

Herausgeber

Lori A. Burns + weitere

Verlag

Bloomsbury Academic

Seitenzahl

464

Maße (L/B/H)

25,4/17,8/2,5 cm

Gewicht

1018 g

Sprache

Englisch

ISBN

978-1-5013-4233-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

17.10.2019

Abbildungen

117

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

464

Maße (L/B/H)

25,4/17,8/2,5 cm

Gewicht

1018 g

Sprache

Englisch

ISBN

978-1-5013-4233-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

  • Produktbild: The Bloomsbury Handbook of Popular Music Video Analysis
  • Produktbild: The Bloomsbury Handbook of Popular Music Video Analysis
  • List of Figures
    List of Tables
    List of Examples
    Notes on Contributors
    Acknowledgements
    Introduction: Undertaking Music Video Analysis (Lori Burns, University of Ottawa, Canada, and Stan Hawkins, University of Oslo, Norway)
    Part I: Authorship, Production, and Distribution
    1 Changing Dynamics and Diversity in Music Video Production and Distribution (Mathias Bonde Korsgaard, Aarhus University, Denmark)
    2 Low Budget Audiovisual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez (Jamie Sexton, Northumbria University, UK)
    3 The Animated Music Videos of Radiohead, Chris Hopewell and Gastón Viñas: Fan-participation, Collaborative Authorship, and Dialogic Worldbuilding (Lisa Perrott, University of Waikato, New Zealand)
    4 From Music Video Analysis to Practice: A Research-Creation Perspective on Music Videos (John Richardson, University of Turku, Finland)
    Part II: Cultural Codes, Representations, and Genres
    5 Framing Personae in Music Videos (Philip Auslander, Georgia Institute of Technology, USA)
    6 Hullabaloo: Rocking the Variety Show in the Mid-1960s (Norma Coates, Western University, Canada)
    7 Détournement and the Moving Image: The Politics of Representation in an Early British Punk Music Video (Karen Fournier, University of Michigan, USA)
    8 Post-Digital Music Video and Genre: Indie Rock, Nostalgia, Digitization, and Technological Materiality (Robert Strachan, University of Liverpool, UK)
    9 Katy Perry's 'Wide Awake': The Lyric Video as Genre (Laura McLaren, University of Toronto, Canada)
    Part III: Mediations: Multimodality / Intermediality / Transmediality
    10 Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity's 'Uniformity', Directed by Patric Ullaeus (Lori Burns, University of Ottawa, Canada)
    11 Tying it All Together: Music Video and Transmedia Practice in Popular Music (Christofer Jost, University of Freiburg, Germany)
    12 The Palimpsestic Pop Music Video: Intermediality and Hypermedia (Jem Kelly, Buckinghamshire New University, UK)
    13 "How does a story get told from fractured bits?" Laurie Anderson's Transformative Repetition (John McGrath, University of Surrey, UK)
    Part IV: Aesthetics: Space / Place / Time / Senses

    14 How to Analyze Music Videos: Beyoncé's and Melina Matsouka's 'Pretty Hurts' (Carol Vernallis, Stanford University, USA)
    15 Rural-Urban Imagery in Country Music Video: Identity, Space, and Place (Jada Watson, University of Ottawa, Canada)
    16 "More Solemn than a Fading Star": David Bowie's Modernist Aesthetics of Ending (Tiffany Naiman, Stanford University, USA)
    Part V: Subjectivities and Discourses: Gender, Sexuality, Race, and Religion
    17 Justin Timberlake's 'Man of the Woods': Lumbersexuality, Nature, and Larking Around (Stan Hawkins and Tore Størvold, University of Oslo, Norway)
    18 Gangsta' Crisis, Catharsis, and Conversion: Coming to God in Hip-Hop Video Narratives (Alyssa Woods, University of Guelph, Canada, and Robert Michael Edwards, University of Ottawa, Canada)
    19 Nicki Minaj's 'Anaconda': Intersectional Feminist Fat Studies, Sexuality, and Embodiment (Anna-Elena Pääkköla, University of Turku, Finland)
    20 Going Too Far: Representations of Violence Against Men in Pink's 'Please Don't Leave Me' (Marc Lafrance, Concordia University, Canada)

    Abstracts and Keywords
    Bibliography
    Index