Decomposition Post-Disciplinary Performance
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Form:Einzelkauf Download
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Sprache:Englisch
18,69 €
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Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
22.06.2000
Herausgeber
Sue-Ellen Case + weitereVerlag
Indiana University PressSeitenzahl
232 (Printausgabe)
Dateigröße
4677 KB
Sprache
Englisch
EAN
9780253028204
"A collection of essays in a variety of disciplines that confront oppressed, marginalized, and invisible space... an astonishing array of material." -
Theatre Research International
The fluid nature of performance studies and the widening embrace of the idea of performativity have come together in
Decomposition to produce a collection that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.
In the title essay, Elizabeth Wood writes about a basic human relation cast around the question of performance and triangulated by the role that a great performer took within it. Together these essays pursue critical understandings of performance in our postmodern world.
Contributors include Philip Brett, Sue-Ellen Case, Susan Leigh Forster, Amelia Jones, Kristine C. Kuramitsu, George Lipsitz, Catherine Lord, Ronald Radano, Timothy D. Taylor, Jeffrey Tobin, Deborah Wong, Elizabeth Wood, and B. J. Wray
"Presents interpretive interventions of a more localized, materially and institutionally anchored, and ultimately more specific and powerful nature." -
TDR/The Drama Review
Theatre Research International
The fluid nature of performance studies and the widening embrace of the idea of performativity have come together in
Decomposition to produce a collection that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.
In the title essay, Elizabeth Wood writes about a basic human relation cast around the question of performance and triangulated by the role that a great performer took within it. Together these essays pursue critical understandings of performance in our postmodern world.
Contributors include Philip Brett, Sue-Ellen Case, Susan Leigh Forster, Amelia Jones, Kristine C. Kuramitsu, George Lipsitz, Catherine Lord, Ronald Radano, Timothy D. Taylor, Jeffrey Tobin, Deborah Wong, Elizabeth Wood, and B. J. Wray
"Presents interpretive interventions of a more localized, materially and institutionally anchored, and ultimately more specific and powerful nature." -
TDR/The Drama Review
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