• Produktbild: Philosophy and Film
  • Produktbild: Philosophy and Film

Philosophy and Film Bridging Divides

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.04.2019

Herausgeber

Rawls Christina + weitere

Verlag

Taylor & Francis

Seitenzahl

400

Maße (L/B/H)

23,5/15,7/2,6 cm

Gewicht

728 g

Sprache

Englisch

ISBN

978-1-138-35169-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

29.04.2019

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

400

Maße (L/B/H)

23,5/15,7/2,6 cm

Gewicht

728 g

Sprache

Englisch

ISBN

978-1-138-35169-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Philosophy and Film
  • Produktbild: Philosophy and Film
  • Preface

    Thomas E. Wartenberg

    Part I: The Nature of Film

    Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)

    Malcolm Turvey

    Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism

    Jônadas Techio

    Chapter 3: The Morph-Image: Four Forms of Post-Cinema

    Steen Ledet Christiansen

    Chapter 4: Deleuze's Cronosigns

    Susana Viegas

    Part II: The Film as Philosophy Debate

    Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy

    Paisley Livingston

    Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and Opportunities

    Tom McClelland

    Chapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations

    Diana Neiva

    Chapter 8: Philosophical Dimensions of Cinematic Experience

    David Davies

    Part III: The Philosophical Value of Film

    Chapter 9: Philosophical Experience and Experimental Film

    Christopher Falzon

    Chapter 10: Filmmaking as self-writing: Federico Fellini's 8¿ (1963)

    Roberto Mordacci

    Chapter 11: Film and Ethics

    Robert Sinnerbrink

    Part IV: Cinematic Experience

    Chapter 12: Movies, Narration and the Emotions

    Noël Carroll

    Chapter 13: Predictive Processing and the Experimental Solution for the Paradox of Fiction

    Dina Mendonça

    Chapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to Cinema

    Hanna Trindade

    Part V: Interpreting Cinematic Works

    Chapter 15: The Blade Runner Question: From Philosophy to Myth

    Deborah Knight

    Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther

    Mary K. Bloodsworth-Lugo

    Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni's Forgiveness and Local Angel

    Oana Serban

    Part VI: Further Debates

    Chapter 18: Cinema and Television: The Art and Industry of Joint Works

    Inês Rebanda Coelho

    Chapter 19: Towards a Natural Screen Philosophy

    Hunter Vaughn

    Chapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From Somewhere

    John Ó Maoilearca