List of Illustrations.- Acknowledgements.- Notes on Contributors.- 1. Introduction (B.Sellers-Young & J.R.McCutcheon).- PART I: PERFORMING NARRATIVE IDENTITY IN CULTURE.- 2. The Zar: Enactment of Social Drama in the Southern Sudan (B.Sellers-Young).- 3. Maranga Mai (J.Greenwood).- 4. Her-stories in Indonesian Dance Drama (K.Foley).- 5.Decolonizing Techno-Art (P.Pilar).- PART II: POPULARIZING PERFORMANCE.- 6. Steps in Time: The Evolving Role of Dance in the Broadway Musical (M.J.Lodge).- 7. The Multiple Narratives of Cirque du Soleil (K. Lavers & L.P.Leroux).- 8. Personal Agency and Community Empowerment: Moth Style Engagement (J.Halebsky).- 9. Narrating and Negotiating Identity in World of Warcraft (J.Osborn).- PART III: ROCKING THE BOAT: REVOLUTIONARY INTEGRATIONS.- 10. Ellen Lauren: The Art of Extreme Acting, An Interview (S.T.Cummings).- 11. People Like Us: Revolutions in Australian Theatre (J-A.Long).- 12. Jacques Lecoq: This Theatre Called My Body (N.Pascetta).- 13. Pina Bausch: Narrative, Gender, Reception (J.R.McCutcheon).- 14. Narrative Pivots: Text and Movement in Crystal Pite's Dance-Theatre (P.Dickinson).- 15. Narrative Futures: Community, Technology and Globalization (B.Sellers-Young & J.R.McCutcheon).