Produktbild: Robert Lepage / Ex Machina

Robert Lepage / Ex Machina Revolutions in Theatrical Space

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

07.02.2019

Herausgeber

Mark Taylor-Batty + weitere

Verlag

Methuen Drama

Seitenzahl

252

Maße (L/B/H)

21,6/14/1,6 cm

Gewicht

441 g

Sprache

Englisch

ISBN

978-1-4742-7609-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

07.02.2019

Herausgeber

Verlag

Methuen Drama

Seitenzahl

252

Maße (L/B/H)

21,6/14/1,6 cm

Gewicht

441 g

Sprache

Englisch

ISBN

978-1-4742-7609-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Robert Lepage / Ex Machina
  • Acknowledgements

    Introduction: Genesis

    Ex Machina in brief
    Revolutions in theatrical space
    Architectural aesthetics
    The road to Ex Machina
    Learning curves
    Foundations: la Caserne and the patenteux

    Part One: Foundations and Stepping Stones (1994-1999)
    Introduction

    Chapter One: Lepagean Aesthetics
    Discovering Japan's geo-poetry: Seven Streams of the River Ota
    Turning the power of space into theatre
    Contradiction as aesthetic key
    Flagships
    Counterpoint: A Dream Play

    Chapter Two: Making Concrete Narratives
    Ground work: The Geometry of Miracles
    Concrete poetry
    Making Narrative Concrete: Elsinore
    Scenographic acting and the body politic
    Concrete narratives - sublime effects
    Critical condition
    Form as cultural expression

    Chapter Three: Critical Themes
    Evolution
    Turning point: the importance of Celestine
    Class, contradiction and the antihero
    The Damnation of Faust in Japan
    Process, collaboration, authorship and directing
    Cultural difference, cultural specificity

    Part Two: Choosing All Directions (2000-2008)
    Introduction

    Chapter Four: Upgrades

    Zulu Time: Q for Québec
    Upgrading the Trilogy
    The importance of Métissages
    Making The Far Side of the Moon
    Dramatic devices and the architecture of convergence

    Chapter Five: Québec Stories
    Art and politics: La Casa Azul and The Busker's Opera
    Dance with three hands: Eonnagata
    Narrative terms: the story of the story of the storyteller
    KÀ: entertainment architecture
    Writing the myth
    Reading the circus

    Chapter Six: New Ways
    The Image Mill: all roads lead to home
    Opera on tour: 1984 and The Rake's Progress
    Ex Machina at the Metropolitan Opera
    The Blue Dragon: character, culture and concrete narrative
    Lipsynch: staging the scream
    Process in process

    Part Three: Starting Points (2008-2018)
    Introduction

    Chapter Seven: Critical Relationships
    The Nightingale and Other Short Fables
    Totem: evolving through the gift shop
    Collaboration: Ex Machina and the Metropolitan Opera
    Wagner, architectural aesthetics, and Der Ring des Nibelungen
    Reviewing the Ring
    The Tempest and L'Amour de Loin
    Paying for art

    Chapter Eight: Brave New Worlds
    Virtual reality: The Library at Night
    The Tempest: collaborating the nation
    Hearts design
    Writing Hearts
    Concrete Hearts
    Writing
    Bet on red

    Chapter Nine: Beginning
    Frame by Frame
    Upgrades
    Making 887
    Taking the narrative turn
    Le Diamant
    Coda

    Notes
    Bibliography
    Index